"Phone Taps" by Raf Keunen had its release date on December 8, 2025. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Phone Taps's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "The Deal with Iran (Original Score)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Belgium. In terms of popularity, Phone Taps is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Phone Taps by Raf Keunen having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Meta | Niall Breslin | G Minor | 2 | 6A | 79 BPM | ||
| Taxi Parisien | Uèle Lamore | A♭ Minor | 4 | 1A | 155 BPM | ||
| Chief of Police | Raf Keunen | C Minor | 1 | 5A | 169 BPM | ||
| Credo | Nicholas & Sebastian | A♭ Major | 2 | 4B | 91 BPM | ||
| Letters to a Lost Spring | Woonai | D Minor | 2 | 7A | 120 BPM | ||
| Last Meeting Pt. 2 | Bugge Wesseltoft | F Major | 0 | 7B | 83 BPM | ||
| First Crime Scene | Hannes De Maeyer, Ruben de Gheselle | B♭ Minor | 1 | 3A | 126 BPM | ||
| Clear Room, Clear Head | Still Minds | E♭ Minor | 2 | 2A | 93 BPM | ||
| Backroom Glitch | ZAK CLOUD | F Minor | 0 | 4A | 130 BPM | ||
| The Bridge to Everdawn | Freya Norwyn | E Minor | 1 | 9A | 88 BPM | ||
| Wyvern Abbey | Anne Nikitin | A♭ Major | 2 | 4B | 91 BPM | ||
| La maman | Amine Bouhafa | A Minor | 0 | 8A | 164 BPM | ||
| Blue Monday's First Light | Otto Nakamura | A♭ Major | 2 | 4B | 91 BPM | ||
| I Could Live Like This | Raf Keunen | F Minor | 0 | 4A | 89 BPM | ||
| Back to Myself | Samira Bashirova, Sgold | B Minor | 3 | 10A | 71 BPM | ||
| Each Wish Resigned | Kira Ha | C Minor | 1 | 5A | 88 BPM | ||
| Golden Days | Northern Harbor | E Major | 1 | 12B | 93 BPM | ||
| Lilt Of Time | Mattias Devriendt | A Minor | 0 | 8A | 136 BPM | ||
| Fix You | Denis Christ, DEUX | F Minor | 3 | 4A | 115 BPM | ||
| Mikki's Lullaby | Arnaud Toulon | C Major | 1 | 8B | 64 BPM | ||
| Institution | Raf Keunen | E♭ Minor | 1 | 2A | 73 BPM | ||
| Warm Up 3/4 | The Ballet Pianist | E Major | 0 | 12B | 114 BPM | ||
| Body of Water | Eythór Arnalds | A♭ Major | 2 | 4B | 91 BPM | ||
| In the Night | Edward Farmer, Martin Phipps | A♭ Major | 3 | 4B | 59 BPM | ||
| Feathers Variation | Emilie Levienaise-Farrouch | C Major | 3 | 8B | 160 BPM |