On May 24, 2002, the song "Bhejle Ba Pitri Ke Pahunchi Nishaan" was released by Madan Rai. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The song is number 6 out of 7 in Ae Piya by Madan Rai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Bhejle Ba Pitri Ke Pahunchi Nishaan is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bhejle Ba Pitri Ke Pahunchi Nishaan by Madan Rai is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hare - Hare Baans Ke Madua (Mandap Geet) | Sharda Sinha | F♯ Major | 4 | 2B | 83 BPM | ||
| Sona Ka Pahirabu | Gopal Rai | E Major | 7 | 12B | 132 BPM | ||
| Mayar Gara E Sansare | Rathindranath Roy, Tojamel Haque Bakul | F Minor | 6 | 4A | 148 BPM | ||
| Piya Mehendi Manga Da Moti Jheel Se | Madan Rai | D♭ Major | 5 | 3B | 91 BPM | ||
| Ek Din Maati Bheetar Hoi Tohaar Ghar | MANOJ TIWARI | G Major | 3 | 9B | 74 BPM | ||
| Log Kehete Hain Ki | Santanu Sahoo | C Minor | 9 | 5A | 91 BPM | ||
| Dulha Vama Kaniya | Poonam Mishra | A Major | 9 | 11B | 95 BPM | ||
| Ja Din Man Pakshi Udi Jaihe | Pawan Singh | D♭ Major | 4 | 3B | 84 BPM | ||
| Jagdamba Ahi Avlamab Humar | Kunj Bihari Mishr | B♭ Major | 7 | 6B | 84 BPM | ||
| Sath Sukh Duniya Ra | Navdeep Bikaneri | D♭ Minor | 6 | 12A | 125 BPM | ||
| Padh Le Rau Bauaa | Dilip Darbhangiya | F♯ Minor | 10 | 11A | 95 BPM | ||
| Bahbhi Man Ki Sari | Satpal Dosa, Mainpal Baseda | A♭ Major | 7 | 4B | 81 BPM | ||
| Sanwara Suratiya | Sharda Sinha | A♭ Major | 6 | 4B | 144 BPM | ||
| Lale Lal Bhawani | Kunj Bihari Mishr | F♯ Minor | 8 | 11A | 150 BPM | ||
| Piya Mora Leke Aile | Madan Rai | F♯ Major | 7 | 2B | 103 BPM | ||
| Chunariya Lehare Na | MANOJ TIWARI | C Major | 5 | 8B | 145 BPM | ||
| Dulha Banal Shri Ram Hey | Poonam Mishra | F Minor | 8 | 4A | 83 BPM | ||
| Dandalu Dandalu Srirama | Akunuri Devayya | B Major | 6 | 1B | 143 BPM | ||
| Hiya Basu | Sharda Sinha | E Major | 7 | 12B | 138 BPM | ||
| Jaikara Jaikara Shyam Prabhu Ka | Sanju Sharma | G Major | 8 | 9B | 140 BPM | ||
| Aajhu Ke Raati | Anurag Anand | B♭ Minor | 4 | 3A | 163 BPM | ||
| Gaalav Rishi Bharam Me Bilkul Chur Ho Gaya | Koshinder Khadana | F♯ Major | 6 | 2B | 129 BPM | ||
| Bani Gailein Jharna Nayanwa | Madan Rai | A Major | 8 | 11B | 87 BPM | ||
| MITHE RAS SE BHARODI | Nidhi Dholkiya | F Major | 7 | 7B | 169 BPM | ||
| PYARA PYARA SHYAM JI | Saurabh Aggarwal, Vishesh Bhanderi | A♭ Major | 8 | 4B | 95 BPM |