"Op. 132" by William Orbit had its release date on January 17, 1995. This song is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Pieces In A Modern Style". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Op. 132 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Op. 132 by William Orbit having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oh, The Vanity | Röyksopp | D Minor | 1 | 7A | 120 BPM | ||
| No Other World (feat. Beth Orton) | William Orbit, Beth Orton | D♭ Major | 6 | 3B | 129 BPM | ||
| Solace | Cut Through Noise | E Major | 1 | 12B | 69 BPM | ||
| Music for Swimmers | John Foxx, Harold Budd, Ruben Garcia | D Major | 2 | 10B | 102 BPM | ||
| Scientas | The Shamen | D Major | 5 | 10B | 110 BPM | ||
| North Druid Hills to Atlanta | The KLF, The Justified Ancients of Mu Mu | G Minor | 3 | 6A | 70 BPM | ||
| The Piano Room | Tom Middleton | E♭ Major | 0 | 5B | 73 BPM | ||
| Silent Signals | William Orbit | F♯ Major | 1 | 2B | 70 BPM | ||
| With | Retrosoft | E Major | 1 | 12B | 69 BPM | ||
| To Heal | Underworld | G Major | 1 | 9B | 91 BPM | ||
| Somnium (Intro) | Robert Rich | B♭ Minor | 1 | 3A | 71 BPM | ||
| Hulaville | Strange Cargo, William Orbit | F Major | 5 | 7B | 115 BPM | ||
| Golden Lion | Thuelsoh | A♭ Major | 6 | 4B | 140 BPM | ||
| Mir | Banco De Gaia | C Minor | 1 | 5A | 131 BPM | ||
| Canyon Drive | Bochum Welt | C Major | 0 | 8B | 116 BPM | ||
| Eddie | Michael Nyman | D Major | 2 | 10B | 135 BPM | ||
| 4:02 | Global Communication | E♭ Minor | 2 | 2A | 115 BPM | ||
| Sinuous Path | Erik Wøllo | E Minor | 3 | 9A | 180 BPM | ||
| Riding To Rio | William Orbit | C Major | 4 | 8B | 151 BPM | ||
| Understanding The Inexplicable | Röyksopp | D Minor | 1 | 7A | 120 BPM | ||
| En-Trance | Biosphere | F Minor | 1 | 4A | 99 BPM | ||
| Out of the Gyre | Ochre | D Minor | 2 | 7A | 72 BPM | ||
| A Formal Arrangement | John Foxx | A Minor | 0 | 8A | 75 BPM | ||
| Pleasure Principle | Jean-Michel Jarre | E Minor | 5 | 9A | 128 BPM | ||
| BWV 974 - II Adagio - Rework | Víkingur Ólafsson, Ryuichi Sakamoto | A Minor | 1 | 8A | 94 BPM |