On January 20, 2023, the song "Kaisi Lag Rahi Gora Sawan Ki Jhadi" was released by Mahesh Baisoya, Rani Varma. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Kaisi Lag Rahi Gora Sawan Ki Jhadi and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Kaisi Lag Rahi Gora Sawan Ki Jhadi's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kaisi Lag Rahi Gora Sawan Ki Jhadi by Mahesh Baisoya, Rani Varma to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jai Kali Maa | Vikas Kumar | A♭ Major | 9 | 4B | 140 BPM | ||
| Arun Bhakar JNVU | Gajendra Ajmera | E Minor | 10 | 9A | 135 BPM | ||
| पागल मत होवे प्यार में | Asmeena Mewati | B Major | 10 | 1B | 120 BPM | ||
| Banubai Sathi Vedavala | Prachi Surve | C Major | 8 | 8B | 70 BPM | ||
| Tu Ghamandi Rahgay Kuwari | Itaram Khote | D♭ Major | 9 | 3B | 140 BPM | ||
| Dhesingu Raja | Gana Sudhakar, Miran | A♭ Major | 7 | 4B | 145 BPM | ||
| Bartiya Hamhi Leke Aibo Re | Sonam Yadav | A♭ Major | 10 | 4B | 89 BPM | ||
| The End | Vinod Sorkhi, Nitin Narang, Meet Julani | B Minor | 9 | 10A | 130 BPM | ||
| Mere Man Mandir Me Baso Shyam | Mahesh Baisoya | A♭ Major | 10 | 4B | 141 BPM | ||
| Chipakaua Bhatar | Dharmender Nirmaliya | A Major | 10 | 11B | 135 BPM | ||
| Chhuri Naino Se Chalaake | Kalpana Patowary | B Minor | 9 | 10A | 155 BPM | ||
| Chhor Deto Saiya Raikh Lebo Ham | Dharmendra Nirmaliya | B Minor | 10 | 10A | 150 BPM | ||
| Kacha Umar | Kayum Abbas, DJ Anand Aarti, Sohrai Oraon | D♭ Major | 8 | 3B | 172 BPM | ||
| Naam Guru Ji Ka | Shoki Foji | G Minor | 8 | 6A | 118 BPM | ||
| Navla Saal Ma Number Lagado | Rakesh Dudwe | A♭ Minor | 9 | 1A | 144 BPM | ||
| Fodunga Gujariya Teri Mataki | Mahesh Baisoya | D♭ Major | 10 | 3B | 126 BPM | ||
| Haal Dekh Dil Kaap Gaya | Mahesh Baisoya | C Minor | 10 | 5A | 145 BPM | ||
| Daru Piyek Choir De | Pankaj Mahli, Chinta Devi | G Major | 9 | 9B | 152 BPM | ||
| Bottle Me Toy | Kumar Satish | F♯ Minor | 9 | 11A | 155 BPM | ||
| Polwa Par Ke Bolwa Chhaura Ho Jatau Jahiya Fuse Re | Santosh Nandan Yadav, Usha Yadav | C Minor | 10 | 5A | 89 BPM | ||
| Lage Man Badmashi Me | Dharmender Nirmaliya | B♭ Minor | 10 | 3A | 155 BPM | ||
| Mohan Me Toh Pagal Ho Gayi Teri Murliya Pe | Mahesh Baisoya | E♭ Major | 10 | 5B | 135 BPM | ||
| Bharat Meri Shaan | Indu Sonali | B Minor | 9 | 10A | 156 BPM | ||
| Bhagat Ke Sankat Taare Baba Mohanram | Mahesh Baisoya | G Major | 8 | 9B | 132 BPM | ||
| Bhelua Tola | Sritam Samantaray | C Minor | 9 | 5A | 60 BPM |