Sotte Bosse's ' "右手の約束" was released on its scheduled release date, November 5, 2008. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Tomorrow knows Yesterday". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Japan. In terms of popularity, 右手の約束 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With 右手の約束 by Sotte Bosse having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| もノ | サウス | E♭ Major | 1 | 5B | 130 BPM | ||
| クストフ | Saho Terao | F Major | 1 | 7B | 135 BPM | ||
| Quaterlife (25) | Aoi Yamazaki | A♭ Major | 5 | 4B | 172 BPM | ||
| 私の夢の夢 | Tomita Lab., Yuko Hara | F Minor | 8 | 4A | 120 BPM | ||
| dancing like a swallow | FUKUSHIGE MARI | F♯ Major | 5 | 2B | 144 BPM | ||
| story | Miu Sakamoto | F Minor | 7 | 4A | 136 BPM | ||
| 雨上がり | Sotte Bosse | D Major | 7 | 10B | 120 BPM | ||
| みみたぶ | dorlis | C Major | 5 | 8B | 136 BPM | ||
| さようなら、さよなら - Matane Ver. | Mai Mishio | C Major | 4 | 8B | 98 BPM | ||
| Wachigahi | Anri Kumaki | C Major | 3 | 8B | 140 BPM | ||
| 朧月夜 | Miwa Sasagawa | B Major | 3 | 1B | 135 BPM | ||
| ラブホテルで働くということ。 (修正版) | 古山菜の花 | A Major | 1 | 11B | 79 BPM | ||
| Glassroom Call _ ガラス越しのコール | Retro City Pop | E♭ Major | 5 | 5B | 105 BPM | ||
| 街 | Lucky Old Sun | D♭ Major | 2 | 3B | 104 BPM | ||
| 春の行人 | Chitose Hajime, Kousuke Atari | C Major | 4 | 8B | 76 BPM | ||
| やさしさに包まれたなら(Yumi Arai) | noon | G Major | 5 | 9B | 160 BPM | ||
| うたがきこえる | KUKIKODAN | A Major | 4 | 11B | 76 BPM | ||
| aino | ヘイブラウン | F Minor | 2 | 4A | 124 BPM | ||
| エンディング | Keiichi Sokabe | F♯ Major | 5 | 2B | 144 BPM | ||
| おはよう今日の日 | KUKIKODAN | D Major | 7 | 10B | 105 BPM | ||
| 接吻 kiss - Cover | Sotte Bosse | B Major | 6 | 1B | 120 BPM | ||
| グルーガンラブ | 来島エル | C Major | 4 | 8B | 140 BPM | ||
| 君がいるだけで | Sotte Bosse | E Major | 8 | 12B | 119 BPM | ||
| Re-ある鼓動 | clammbon | E Major | 8 | 12B | 184 BPM | ||
| 星空バス | Sotte Bosse | F♯ Major | 5 | 2B | 75 BPM |