Natalie Cole's ' "Split Decision" was released on its scheduled release date, June 4, 1991. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 11 in Everlasting by Natalie Cole. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Split Decision is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Split Decision by Natalie Cole is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Best Thing That Ever Happened to Me | Gladys Knight & The Pips | D♭ Minor | 5 | 12A | 189 BPM | ||
| On And On | Stephen Bishop | B Major | 5 | 1B | 102 BPM | ||
| Too Much Heaven (feat. Alison Krauss) | Barry Gibb, Alison Krauss | D♭ Major | 4 | 3B | 76 BPM | ||
| You Don't Have to Be a Star (To Be In My Show) | Marilyn McCoo, Billy Davis Jr. | F♯ Minor | 6 | 11A | 200 BPM | ||
| I Just Want To Be Your Everything | Andy Gibb | A Major | 6 | 11B | 97 BPM | ||
| After The Love Has Gone | David Benoit, Russ Freeman | F♯ Major | 5 | 2B | 130 BPM | ||
| Deja Vu | Dionne Warwick | D♭ Minor | 6 | 12A | 146 BPM | ||
| Love Will Keep Us Together | Neil Sedaka | E♭ Major | 6 | 5B | 124 BPM | ||
| You Are The Sunshine Of My Life | Stevie Wonder | B Major | 5 | 1B | 132 BPM | ||
| Do Nothin' Till You Hear From Me | Quincy Jones, Phil Collins | A Major | 4 | 11B | 82 BPM | ||
| Anything for You | Miami Sound Machine | F♯ Major | 6 | 2B | 144 BPM | ||
| On The Radio | Donna Summer | E Minor | 4 | 9A | 127 BPM | ||
| Darling, Je Vous Aime Beacoup | Natalie Cole | D Major | 1 | 10B | 79 BPM | ||
| Sweet Love | Anita Baker | B♭ Minor | 7 | 3A | 89 BPM | ||
| Never never never | Chiara Civello | F Major | 7 | 7B | 90 BPM | ||
| I Love to Love | Tina Charles | A Major | 7 | 11B | 99 BPM | ||
| My Cherie Amour | Stevie Wonder | F♯ Major | 5 | 2B | 101 BPM | ||
| The Way We Were | Barbra Streisand | F Major | 1 | 7B | 100 BPM | ||
| What a Difference a Day Makes | Frank Sinatra Jr. | F Major | 3 | 7B | 110 BPM | ||
| Working My Way Back to You / Forgive Me, Girl | The Spinners | A Minor | 7 | 8A | 122 BPM | ||
| I Like It | DeBarge | A Major | 7 | 11B | 175 BPM | ||
| Touch Me In The Morning | Diana Ross | F♯ Major | 6 | 2B | 137 BPM | ||
| All Time High - Remaster/2003 | Rita Coolidge | E♭ Minor | 4 | 2A | 106 BPM | ||
| Do That To Me One More Time | Captain & Tennille | G Major | 5 | 9B | 90 BPM | ||
| Baby (You've Got What It Takes) | Dinah Washington, Brook Benton | E♭ Major | 4 | 5B | 132 BPM |