"Petit Ballet" by London Philharmonic Orchestra had its release date on September 28, 2018. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Petit Ballet's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 13 in Ballet Favourites by London Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Based on our statistics, Petit Ballet's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Petit Ballet by London Philharmonic Orchestra is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasia On a Theme By Thomas Tallis | Ralph Vaughan Williams, Sir Adrian Boult, London Philharmonic Orchestra | C Minor | 1 | 5A | 102 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 5, Allegro in F-Sharp Minor | Johannes Brahms, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM | ||
| Les Sylphides: 4. Mazurka | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 95 BPM | ||
| Don Quixote: Act II: Giga | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | F Major | 3 | 7B | 109 BPM | ||
| New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | ||
| Romeo And Juliet, Ballet Suite No. 1 - Op. 64a:5: Masks | Sergei Prokofiev, Royal Concertgebouw Orchestra, Myung-Whun Chung | C Major | 0 | 8B | 68 BPM | ||
| La Bayadère / Act 1: No. 3 Andante delicato | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | D♭ Minor | 0 | 12A | 88 BPM | ||
| Waltz from Act I of the Sleeping Beauty, Op. 66 | Shen Yun Symphony Orchestra | B♭ Major | 1 | 6B | 102 BPM | ||
| Fourth Movement Moderato Maestoso | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 1 | 10B | 77 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Lyric Waltz (Suite for Jazz Orchestra No. 1) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 2 | 5B | 103 BPM | ||
| Hereinspaziert, op. 518, Walzer | Großes Wiener Rundfunkorchester, Robert Stolz | G Major | 3 | 9B | 68 BPM | ||
| Die Flamme von Paris (Flames of Paris), Act IV: Coda [arr. March] | Boris Vladimirovich Asafiev, Sofia National Opera Orchestra, Boris Spassov | C Major | 4 | 8B | 135 BPM | ||
| 鏡の踊り 歌劇「ファウスト」 バレエ音楽より | Charles Gounod, Tokyo Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
| La Bayadère / Act 2: No. 29 (Andante) | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 68 BPM | ||
| Ballet Suite No. 4 (arr. L. Atovmyan): Waltz (The Song of Great Rivers) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 96 BPM | ||
| Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes [Marching off] | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
| Don Quixote, Act I: Coda. Basilio and Quiteria make their escape | Valery Zhelobinsky, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM | ||
| Frau Luna: Folies-Bergère-Marsch | Rundfunkorchester des Südwestfunks Kaiserslautern, Emmerich Smola | C Major | 5 | 8B | 127 BPM | ||
| Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
| The Merry Widow Waltz | Ian Whitcomb, The White Star Orchestra | G Major | 2 | 9B | 160 BPM | ||
| Brahms: Hungarian Dances, WoO 1: No. 5 in G Minor (Orch. Parlow) | Johannes Brahms, Sir Charles Mackerras, Philharmonia Orchestra | G Minor | 1 | 6A | 130 BPM | ||
| Hunting (Fast Polka), Op. 373 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | A Major | 3 | 11B | 167 BPM | ||
| Ballet Suite No. 4 (arr. L. Atovmyan): Scherzo (The Bolt) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 77 BPM | ||
| Gold und Silber, Op. 79: Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | F Major | 0 | 7B | 81 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | G Minor | 1 | 6A | 130 BPM |