"Pour qui sonne le glas" by Piotr Moss, Raphaël Marc, Dominique Probst, Jean-Marc Fessard, Véronique Briel, Béatrice Reibel, Hélène Labarrière, Antoine Cure, Jacques Mauger, Julien Petit had its release date on February 15, 2010. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 32 out of 38 in Départs by Raphaël Marc, Piotr Moss. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Pour qui sonne le glas is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pour qui sonne le glas by Piotr Moss, Raphaël Marc, Dominique Probst, Jean-Marc Fessard, Véronique Briel, Béatrice Reibel, Hélène Labarrière, Antoine Cure, Jacques Mauger, Julien Petit is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amad Nobahar | Farid Farjad | G Minor | 2 | 6A | 118 BPM | ||
| Tardes de Bolonha | Rodrigo Leão | D Minor | 3 | 7A | 98 BPM | ||
| Lomir alle (Yiddish) | Les Yeux Noirs | D Major | 2 | 10B | 70 BPM | ||
| Drogoi dalneyou | Les Yeux Noirs | A Minor | 2 | 8A | 120 BPM | ||
| Oczarowanie | Polish Section CIOFF® | G Major | 4 | 9B | 102 BPM | ||
| Possibly An Accident | Piotr Moss | A♭ Major | 4 | 4B | 113 BPM | ||
| Fields Behind the House | Balkan Nostalgia | D Minor | 0 | 7A | 94 BPM | ||
| Unsolved Mystery | Piotr Moss | D Major | 2 | 10B | 131 BPM | ||
| Serenata | Enrico Toselli, I Salonisti | E Major | 1 | 12B | 90 BPM | ||
| Humility and Love | Christopher Young | F Minor | 1 | 4A | 81 BPM | ||
| Dekalog IX - part 3 | Zbigniew Preisner | A Major | 2 | 11B | 73 BPM | ||
| Polka della Liberazione | Paolo Buonvino | A Major | 2 | 11B | 84 BPM | ||
| Society Tango | Greg J Walker | B Major | 1 | 1B | 116 BPM | ||
| La Sainte-Chapelle (Orch. Dannheisser) | Lisa Batiashvili, London Metropolitan Orchestra, Andy Brown | B♭ Major | 1 | 6B | 81 BPM | ||
| Valsa | Dom La Nena | G Minor | 3 | 6A | 170 BPM | ||
| Street Theater in Naples | Andrea Montepaone | G Major | 4 | 9B | 100 BPM | ||
| Spotdance | Balanescu Quartet | C Minor | 3 | 5A | 80 BPM | ||
| The Sunlit Night | Enis Rotthoff | B♭ Major | 2 | 6B | 120 BPM | ||
| Gnossiennes No. 1 - Arr. David le Page | Orchestra of the Swan | F Minor | 0 | 4A | 137 BPM | ||
| Concerto for Clarinet and Orchestra No. 3 in F Major "Il Mezzetino": III. Andante | Antonio Vivaldi, Martin Fröst, Concerto Köln | E Minor | 0 | 9A | 119 BPM | ||
| L'oeil du Serpent | Piotr Moss | F Major | 1 | 7B | 80 BPM | ||
| Night / $1000 Reward / Dawn | Charlie Chaplin | E♭ Major | 2 | 5B | 121 BPM | ||
| Entretelas | Lapso Producciones | A♭ Minor | 1 | 1A | 85 BPM | ||
| Le temps qui passe | Grégoire Hetzel | D♭ Major | 2 | 3B | 126 BPM | ||
| Jazz Suite, Waltz No. 2 - Live | Dmitri Shostakovich, Vladimir & Anton | F Minor | 2 | 4A | 78 BPM |