"String Quartet No. 3: IV. Moderato - Allegro - Andante - Moderato" by Pēteris Vasks, Navarra Quartet had its release date on September 3, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "String Quartets Nos. 1-3". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, String Quartet No. 3: IV. Moderato - Allegro - Andante - Moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 3: IV. Moderato - Allegro - Andante - Moderato by Pēteris Vasks, Navarra Quartet having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude | Gerald Finzi, Royal Ballet Sinfonia, David Lloyd-Jones | D Major | 0 | 10B | 142 BPM | ||
| Ochre: I. Siderite | Caroline Shaw, The Crossing, Donald Nally, Dan Schwartz | D Major | 1 | 10B | 128 BPM | ||
| Violin Concerto No. 1: Movement I | Philip Glass, Leonard Bernstein, Dennis Russell Davies, Bruckner Orchester Linz, Renaud Capuçon | D Minor | 2 | 7A | 74 BPM | ||
| Insight | Dobrinka Tabakova, Maxim Rysanov, Roman Mints, Kristine Blaumane | D Minor | 1 | 7A | 86 BPM | ||
| Frozen River Flows | Dobrinka Tabakova, Roman Mints, Raimondas Sviackevičius, Donatas Bagurskas | E♭ Major | 0 | 5B | 135 BPM | ||
| Serenity | Ola Gjeilo, Phoenix Chorale, Charles Bruffy, Emmanuel Lopez | G Major | 0 | 9B | 89 BPM | ||
| Old Style | Nazec | F Major | 1 | 7B | 81 BPM | ||
| Song of the Birds | Pablo Casals, Sol Gabetta, Amsterdam Sinfonietta | D Major | 1 | 10B | 68 BPM | ||
| Quartet for Strings & Piano: VI. Postludio | Pēteris Vasks, Vadim Gluzman, Ilze Klava, Reinis Birznieks, Angela Yoffe | A Minor | 0 | 8A | 83 BPM | ||
| Requiem, Op. 33b | Jón Leifs, Schola Cantorum Reykjavicensis, Hörður Áskelsson | A♭ Major | 0 | 4B | 140 BPM | ||
| How Sweet The Moonlight [The Merchant of Venice] | Jocelyn Pook, Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny | E♭ Major | 1 | 5B | 135 BPM | ||
| LULLABY TO ETERNITY / Alice Sara Ott: Lullaby To Eternity (on fragments of W.A. Mozart's "Lacrimosa") | Alice Sara Ott | D Minor | 0 | 7A | 82 BPM | ||
| Canto Ostinato: Coda | Simeon ten Holt, Aart Bergwerff, Eric Vloeimans | B♭ Minor | 1 | 3A | 147 BPM | ||
| Slow Twitchy Organs | Nico Muhly, James McVinnie | D Major | 0 | 10B | 142 BPM | ||
| Dolomites, pale mountains: I. Marmolada | Rachel Portman, LGT Young Soloists, Alexander Gilman | G Major | 0 | 9B | 86 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Walton: Henry V: Passacaglia "The Death of Falstaff" | William Walton, Douglas Boyd, Chamber Orchestra of Europe | E Minor | 0 | 9A | 86 BPM | ||
| Martynov: "Come in!", Movement III | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 90 BPM | ||
| Reflection No. 1 (Paix - Shanti) | Camille Thomas, Julien Brocal | D Minor | 2 | 7A | 155 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: II. Adagio | Dmitri Shostakovich, Cuarteto Casals | D Major | 0 | 10B | 142 BPM | ||
| Adagio for Strings, Op. 11 - Live | Samuel Barber, Keller Quartett | B♭ Minor | 1 | 3A | 93 BPM | ||
| Bagatelles I-XIII: Bagatelle I | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 135 BPM | ||
| Deuxième livre de pièces de viole: Les Voix Humaines (Arr. for solo viol by Johanna Rose) | Marin Marais, Johanna Rose | D Major | 0 | 10B | 142 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | D Major | 0 | 10B | 142 BPM |