- BPM
- 79
- Key
- A♭ Major
- Camelot
- 4B
Lully, Lulla, Lullay by Philip Stopford, St. Paul's Cathedral Choir, Andrew Carwood Song Details
"Lully, Lulla, Lullay" by Philip Stopford, St. Paul's Cathedral Choir, Andrew Carwood had its release date on October 9, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 19 in Carols With St. Paul's Cathedral Choir by St. Paul's Cathedral Choir, Andrew Carwood. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Lully, Lulla, Lullay is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Lully, Lulla, Lullay by Philip Stopford, St. Paul's Cathedral Choir, Andrew Carwood is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 20%
- Loudness
- -30.921 dB
- Acousticness
- 99%
- Danceability
- 17%
- Energy
- 6%
- Instrumentalness
- 30%
- Liveness
- 9%
- Loudness
- 48%
- Speechiness
- 5%
- Valence
- 10%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Coventry Carol | The King's Singers | B♭ Minor | 0 | 3A | 85 BPM | |
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 | The Snow | Edward Elgar, Ensemble LaCappella, LaCappella 2.0, LaCappella Nuova, Karen von Trotha, Freya Ritts-Kirby, Lars Keitel, Veronika Bauer | E♭ Major | 2 | 5B | 73 BPM | |
 | Corpus Christi Carol | Benjamin Britten, VOCES8 | D Major | 1 | 10B | 126 BPM | |
 | All my hope | Hubert Parry, St. Paul's Cathedral Choir, Malcolm Archer | B♭ Major | 2 | 6B | 89 BPM | |
 | Once in royal David's city (Arr. David Willcocks, Desc. Stephen Cleobury) | Henry John Gauntlett, Choir of King's College, Cambridge, Daniel Hyde, Matthew Martin, Samuel Hodson | G Major | 1 | 9B | 63 BPM | |
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 | When I needed a neighbour, were you there? | Wells Cathedral Choir, Rupert Gough | E Minor | 1 | 9A | 91 BPM | |
 | In the Bleak Midwinter | Harold Darke, The Choir Of Trinity College, Cambridge, Richard Marlow | G Major | 0 | 9B | 76 BPM | |
 | Rocking | Worcester Cathedral Choir, Raymond Johnston, Robert Stringer, Traditional | C Major | 0 | 8B | 87 BPM | |
 | The Colours Of Christmas | John Rutter, The Bach Choir, Royal Philharmonic Orchestra | D Major | 1 | 10B | 81 BPM | |
 | What sweeter music | John Rutter, Alan Weiss, Judy Saiki, Michael Kleinschmidt, Richard Flanagan, Jean Munroe, Liza Wirtz, Boston Trinity Church Choir, Brian Jones | F♯ Major | 1 | 2B | 135 BPM | |
 | Traditional: The First Nowell | Choir of King's College, Cambridge, Francis Grier | D Major | 2 | 10B | 110 BPM | |
 | O Come, All Ye Faithful (Arr. Taylor Scott Davis) | John Francis Wade, VOCES8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith | B♭ Major | 4 | 6B | 110 BPM | |
 | Angels from the Realms of Glory (Arr. Ledger) | Traditional, Sir Philip Ledger, Choir of King's College, Cambridge | G Major | 0 | 9B | 87 BPM | |
 | Coventry Carol | XV Century, anonymous, Choir of King's College, Cambridge, Stephen Cleobury | G Minor | 0 | 6A | 75 BPM | |
 | Friday Afternoons, Op. 7: No. 5, A New Year Carol | Benjamin Britten, The Cambridge Singers, Rachel Masters, John Rutter | A Major | 1 | 11B | 71 BPM | |
 | Tavener: The Lamb | John Tavener, Choir of King's College, Cambridge, Stephen Cleobury | G Major | 1 | 9B | 83 BPM | |
 | The Truth from Above | The Sixteen | A Minor | 1 | 8A | 178 BPM | |
![Away in a Manger (Arr. J. Rutter) [1] by James Ramsey Murray, The Cambridge Singers, Cambridge Orchestra, John Rutter](https://i.scdn.co/image/ab67616d00001e029e23be500d5317775708e93f) | Away in a Manger (Arr. J. Rutter) [1] | James Ramsey Murray, The Cambridge Singers, Cambridge Orchestra, John Rutter | D Major | 1 | 10B | 129 BPM | |
 | Let All Mortal Flesh Keep Silence | Andrew Wright, The Brentwood Cathedral Consort | D Minor | 2 | 7A | 137 BPM | |
 | In The Bleak Midwinter | Gustav Holst, Christina Rossetti, Tenebrae, Nigel Short | F Major | 0 | 7B | 139 BPM | |
 | Serenity | The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood, Wallis Power | A♭ Minor | 1 | 1A | 77 BPM |
- ISRC
- GBF071502970
- Label
- L-M Records/RCA Records