Mukesh Pattiwala, Rekha Rani's ' "Paudi - Paudi Chad Bhagta" was released on its scheduled release date, March 23, 2005. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 8 in Baba Kyon Nahi Bolda by Mukesh Pattiwala, Rekha Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Paudi - Paudi Chad Bhagta is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Paudi - Paudi Chad Bhagta by Mukesh Pattiwala, Rekha Rani is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nain Naina Naal | Nachhatar Gill | E♭ Minor | 7 | 2A | 142 BPM | ||
| Khind Gya Surman | Veer Davinder | B Minor | 9 | 10A | 84 BPM | ||
| Pere Makhna De Tere Layi | Naseebo Lal | D♭ Major | 8 | 3B | 91 BPM | ||
| Guru Ji Maharo Janm Sudharo | Chotu Singh Rawna | F Minor | 9 | 4A | 88 BPM | ||
| Driver | Shinda Shonki, Miss Pooja | D♭ Minor | 9 | 12A | 114 BPM | ||
| Boot Polishan | Gurdas Maan | D♭ Major | 10 | 3B | 125 BPM | ||
| Aunda Mera Yaar Kurhio | Jaswinder Brar | B♭ Minor | 8 | 3A | 79 BPM | ||
| Jogiya Paa Fera | Mukesh Pattiwala, Rekha Rani | G Major | 8 | 9B | 111 BPM | ||
| Tere Mere Pyaar Nu | Surjit Khan | E♭ Major | 4 | 5B | 79 BPM | ||
| Maut | Sabar Koti | G Minor | 9 | 6A | 76 BPM | ||
| Phoolan Di Ho Rahi Barsaat | Lakhwinder Wadali | B Major | 9 | 1B | 134 BPM | ||
| Apni Than | Inderjit Nikku | B♭ Minor | 8 | 3A | 148 BPM | ||
| Theke Utte Jaava Na | Kuldeep Rasila | F♯ Minor | 6 | 11A | 128 BPM | ||
| Pyar Di Hathkarhi | Dharampreet | D♭ Major | 10 | 3B | 140 BPM | ||
| Deeva Balda Bnere Te (traditional) | Satinder Sartaaj | B♭ Major | 9 | 6B | 104 BPM | ||
| Sajan Pardes Chale Gaye | Harbhajan Mann | F Minor | 5 | 4A | 79 BPM | ||
| Jali Dar Kamezan | Shafullah Khan Rokhrhi | F Major | 8 | 7B | 92 BPM | ||
| Akhiyan Taras Gaiyan | Raja Sidhu, Rajvinder Kaur | B♭ Minor | 10 | 3A | 176 BPM | ||
| Heer Ranjha | Hardev Mahinangal | B♭ Minor | 8 | 3A | 156 BPM | ||
| Ankhiyan Udeek Diyaan | Mukesh Pattiwala | B♭ Minor | 7 | 3A | 124 BPM | ||
| Ashiqa Ne Pair Midh Ke | Amarjeet Nagina, Biba Param Brar | G Major | 8 | 9B | 186 BPM | ||
| Banke Nagni | Manmohan Waris | D♭ Major | 8 | 3B | 104 BPM | ||
| Laake Rog Ishqe Da | Dharampreet | G Minor | 4 | 6A | 104 BPM | ||
| Udeekan | Kanth Kaler | G Major | 8 | 9B | 158 BPM | ||
| Chham Chham Kardi | Lakhbir Singh Lakkha | G Minor | 8 | 6A | 95 BPM |