Hot Water Music's 'The Bitter End - BYO Split Version' had a release date set for December 1, 2017. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hot Water Music's "Keep It Together: B-Sides and Rarities" album is number 11 out of 43. Based on our statistics, The Bitter End - BYO Split Version's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Bitter End - BYO Split Version by Hot Water Music to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Shakes | The Menzingers | A Major | 10 | 11B | 162 BPM | ||
| The King Is Dead | A Wilhelm Scream | D Minor | 9 | 7A | 100 BPM | ||
| We Came To Dance | The Gaslight Anthem | G Major | 10 | 9B | 170 BPM | ||
| Janie | Off With Their Heads | G Major | 10 | 9B | 102 BPM | ||
| The Fighter, The Rube, The Asshole | The Falcon | B Minor | 9 | 10A | 107 BPM | ||
| What a Time to Be Barely Alive | Arms Aloft | B Major | 10 | 1B | 102 BPM | ||
| Owner Operator | No Trigger | E Major | 10 | 12B | 104 BPM | ||
| Yesterday's Headlines | Good Riddance | D♭ Major | 10 | 3B | 198 BPM | ||
| Young Dionysians | Mercy Union | B Major | 10 | 1B | 156 BPM | ||
| The Only Living Boy in La | Ways Away | D♭ Minor | 10 | 12A | 100 BPM | ||
| Slow Math | Crime In Stereo | G Major | 10 | 9B | 105 BPM | ||
| War of Colossus | The Falcon | D♭ Minor | 10 | 12A | 104 BPM | ||
| I Wanna Die in Los Angeles | Dead To Me | D Major | 8 | 10B | 162 BPM | ||
| Taken | AVAIL | A Minor | 10 | 8A | 163 BPM | ||
| Strangled | Osker | F♯ Major | 9 | 2B | 187 BPM | ||
| Drive | Off With Their Heads | C Major | 10 | 8B | 100 BPM | ||
| The Last Laugh | A Wilhelm Scream | F♯ Minor | 10 | 11A | 167 BPM | ||
| Ghostwrite | Bad Astronaut | D Major | 10 | 10B | 98 BPM | ||
| Two Notes Shy of an Octave | Red City Radio | D♭ Major | 9 | 3B | 102 BPM | ||
| Sedition | Strike Anywhere | G Minor | 10 | 6A | 90 BPM | ||
| Wayfarer | Hot Water Music | D Major | 10 | 10B | 170 BPM | ||
| Potemkin City Limits | Propagandhi | A♭ Major | 10 | 4B | 92 BPM | ||
| High in the Morning | New Junk City | D Major | 10 | 10B | 98 BPM | ||
| Faces | Stretch Arm Strong | D Major | 9 | 10B | 173 BPM | ||
| Are You There Margaret? It's Me, God | The Lawrence Arms | A♭ Major | 10 | 4B | 105 BPM |