"Skin" by Zarah Mahler had its release date on August 14, 2016. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Ophidian". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, Skin is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Skin by Zarah Mahler having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coming for You | Nuela Charles | D Minor | 2 | 7A | 80 BPM | ||
| Obsession | Beds and Beats | B♭ Minor | 6 | 3A | 124 BPM | ||
| Calling out My Name | Elaskia | F♯ Minor | 4 | 11A | 122 BPM | ||
| Pull Me Under [Deadly Avenger x Si Begg Remix] | Bassline Drift, Sink, Deadly Avenger, Si Begg | F♯ Major | 5 | 2B | 120 BPM | ||
| Pretty Boy | Cavale | G Major | 3 | 9B | 160 BPM | ||
| King of Shadow - Acoustic | Kat Cunning | D Minor | 3 | 7A | 116 BPM | ||
| Someplace Else | Daniel Farrant, Nick Kingsley | C Major | 1 | 8B | 112 BPM | ||
| On and On | Omicron | C Minor | 4 | 5A | 99 BPM | ||
| Near Me | Daniel Wilson | B♭ Major | 1 | 6B | 128 BPM | ||
| Beyond | Poems For Jamiro | G Major | 3 | 9B | 77 BPM | ||
| Crazy Love | T R U V O N N E | D♭ Major | 3 | 3B | 140 BPM | ||
| Where It Stays | Charlotte OC | D♭ Major | 5 | 3B | 120 BPM | ||
| The Thrill Has Gone | Louise Dowd, Shelley Harland | B Minor | 6 | 10A | 118 BPM | ||
| Destroy Me | Nine One One | E♭ Minor | 4 | 2A | 143 BPM | ||
| No More Waiting | Onyay Pheori | G Minor | 2 | 6A | 100 BPM | ||
| Salted Wound - From "Fifty Shades Of Grey" Soundtrack | Sia | C Major | 4 | 8B | 82 BPM | ||
| Hollow Drum | Laura Welsh | B Minor | 2 | 10A | 72 BPM | ||
| Lipstick | The Venice Connection | F Minor | 5 | 4A | 132 BPM | ||
| Riptide | Hayley Taylor | G Major | 2 | 9B | 82 BPM | ||
| Losing My Religion | Future Royalty | A Minor | 3 | 8A | 116 BPM | ||
| Waking Up | MJ Cole, Freya Ridings | B Minor | 2 | 10A | 128 BPM | ||
| Eye For An Eye | Mags Duval | A Minor | 5 | 8A | 103 BPM | ||
| Breathless | I M U R | B♭ Major | 3 | 6B | 101 BPM | ||
| Love Me Like You Hate Me | Rainsford | F♯ Major | 2 | 2B | 147 BPM | ||
| Sex and Candy | Unions | A Minor | 3 | 8A | 118 BPM |