"Places We Could Have Gone" by Jameson Nathan Jones had its release date on March 19, 2021. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Places We Could Have Gone only contains only one song in the album, we like to consider this song as a single. Places We Could Have Gone is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Places We Could Have Gone by Jameson Nathan Jones having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Silver Pit | Ben Chatwin | D Major | 3 | 10B | 88 BPM | ||
| Walls | Jameson Nathan Jones | C Minor | 3 | 5A | 81 BPM | ||
| Begging for Mercy | hardknock. | E♭ Major | 2 | 5B | 79 BPM | ||
| Strangers to Ourselves | Ryan Taubert | G Minor | 3 | 6A | 84 BPM | ||
| Passacaglia | Jameson Nathan Jones | F Minor | 3 | 4A | 84 BPM | ||
| The First Voyager | Daniel Ciurlizza | B♭ Minor | 1 | 3A | 85 BPM | ||
| Behind the Moon | Hampus Naeselius | B Major | 2 | 1B | 66 BPM | ||
| Away | Hannah Parrott | E Major | 0 | 12B | 71 BPM | ||
| They felt tiny, standing next to the monolith | Jay Hosking | C Major | 1 | 8B | 102 BPM | ||
| Innerwars | Jack Bartman | D Minor | 3 | 7A | 175 BPM | ||
| Vestige II | Lorn | B Major | 5 | 1B | 110 BPM | ||
| Stjärna | Joachim Heinrich | G Major | 0 | 9B | 159 BPM | ||
| Launch | Daniel L.K. Caldwell | C Minor | 0 | 5A | 67 BPM | ||
| Springs | Jameson Nathan Jones | B♭ Minor | 6 | 3A | 192 BPM | ||
| Introspection | Hoenix | E Minor | 3 | 9A | 110 BPM | ||
| Echo | Disjoint Square | F Minor | 3 | 4A | 124 BPM | ||
| Do Androids Feel the Rain? | IOTO | B Minor | 4 | 10A | 126 BPM | ||
| Involution | Notize | D Minor | 0 | 7A | 79 BPM | ||
| Deep Force | Kaan Simseker | A♭ Major | 3 | 4B | 184 BPM | ||
| Memorium | Jameson Nathan Jones | C Major | 0 | 8B | 109 BPM | ||
| Arctic | inola | F♯ Major | 0 | 2B | 73 BPM | ||
| Violet Untold | Tamuz Dekel | F♯ Minor | 5 | 11A | 80 BPM | ||
| the fall | Hiroi Sekai, Luskos | A Minor | 2 | 8A | 86 BPM | ||
| Paid Respects | BPMoore | C Major | 2 | 8B | 120 BPM | ||
| entwinement | Bardea | E Major | 4 | 12B | 170 BPM |