Ritesh Pandey, Shubham Segriwal, Shubham Tiwari's ' "Odhaniya - From "Aasra"" was released on its scheduled release date, February 5, 2024. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Odhaniya - From "Aasra"'s duration is considered a little bit shorter than the average duration of a typical track. Since Odhaniya (From "Aasra") only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Odhaniya - From "Aasra" is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Odhaniya - From "Aasra" by Ritesh Pandey, Shubham Segriwal, Shubham Tiwari having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jhuluha Mai Ke | Jitendra Singh Anshu, Shivani Singh | A Minor | 10 | 8A | 126 BPM | ||
| तिजारा वाली बस चलेगी | Raju Gola Mewati | B Major | 8 | 1B | 170 BPM | ||
| Chhaudi Sate Na Jaitai Gir | Rajeev Yadav, Srishti Bharti | B Major | 8 | 1B | 170 BPM | ||
| Piyawa Rakhale Hakai Maal.wav | Raushan Rohi | B Major | 8 | 1B | 170 BPM | ||
| Naihar Ke Pyar | Neelkamal Singh, Shrishti Uttarakhandi | A Minor | 10 | 8A | 73 BPM | ||
| Peni Me Chheni 2.o ( Bhojpuri ) | Awadhesh Premi Yadav | D Major | 10 | 10B | 150 BPM | ||
| Baith Mor Palsaraba Par | Chhota Randhawa, Khushi Kakkar | D♭ Minor | 9 | 12A | 88 BPM | ||
| Dildar Sajanwa | Awadhesh Premi Yadav | B Major | 9 | 1B | 160 BPM | ||
| Loan Pe Phone | Shrishti Bharti | B♭ Minor | 10 | 3A | 135 BPM | ||
| Jindagi Ke Pyar Raja Ji | Shivani Singh, Vikash Yadav | B Minor | 10 | 10A | 125 BPM | ||
| Pyar Kala Hamara Se | Ganguli Raj, Kajal Raj | F♯ Major | 9 | 2B | 137 BPM | ||
| Khelab Aaj Holi Kehu Naahi Boli | Ritesh Pandey, Khushboo Jain | B Minor | 10 | 10A | 123 BPM | ||
| Ram Krishna Bajrangi - Title Track - From "Ram Krishna Bajrangi" | Dhananjay Mishra, Rakesh Mishra, Ritesh Pandey | B♭ Minor | 9 | 3A | 189 BPM | ||
| Lover Tor Rangbaj Hau | Amit Ashik | D♭ Major | 9 | 3B | 88 BPM | ||
| Black Money | Raushan Yadav, Srishti Bharti | D♭ Minor | 10 | 12A | 89 BPM | ||
| Farar | Raushan Rohi, Shristi Bharti | B Major | 9 | 1B | 89 BPM | ||
| Tohar Kuch Lagithay | Diwakar Dwivedi | A Minor | 10 | 8A | 125 BPM | ||
| Chhaudi Ho Gelhi Jawan Kute De Dhan | Ravish Lal Yadav | F♯ Major | 6 | 2B | 160 BPM | ||
| Bed Hamar Red Holai Re | Ahira Star Kundan Lal, Sonam Yadav | C Minor | 10 | 5A | 89 BPM | ||
| Bye Bye Tata | Upendra Lal Yadav | B Minor | 9 | 10A | 150 BPM | ||
| Lal Lal Honthwa Se | Samar Singh, Ankita Singh | C Major | 9 | 8B | 123 BPM | ||
| Jija Baat Maani | Pawan Singh, Mamta Rawat | D♭ Major | 9 | 3B | 160 BPM | ||
| Le Jaybo E Laganiya Me | MurliKishan, Sweta Sargam | E♭ Minor | 10 | 2A | 82 BPM | ||
| Madhubani Jila Ke Rangdaar | Anil Yadav | D♭ Minor | 10 | 12A | 135 BPM | ||
| Chudi Tootal Kalaiya Me | Gunjan Singh | C Minor | 10 | 5A | 120 BPM |