On January 9, 1948, the song "Too Late to Worry, Too Blue to Cry" was released by Al Dexter. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Too Late to Worry, Too Blue to Cry's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Al Dexter's "Honey, Is it Wrong?" album is number 2 out of 29. On top of that, Germany appears to be the country where this track was created. The popularity of Too Late to Worry, Too Blue to Cry is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Too Late to Worry, Too Blue to Cry by Al Dexter to be Presto (very, very fast) because the track has a tempo of 182 BPM, a half-time of 91BPM, and a double-time of 364 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love, Love, Love - Remastered | Webb Pierce | E Major | 5 | 12B | 142 BPM | ||
| I Ain't Got Nobody | Dick Curless | B Major | 6 | 1B | 198 BPM | ||
| Twice The Lovin' (In Half The Time) | Jean Shepard | G Major | 4 | 9B | 175 BPM | ||
| This Cold War with You | Floyd Tillman | E♭ Major | 3 | 5B | 95 BPM | ||
| Gals Don't Mean a Thing | Johnny Bond | G Major | 3 | 9B | 139 BPM | ||
| You Better No Do That | Tommy Collins | B Major | 2 | 1B | 114 BPM | ||
| Silver on the Sage | Johnny Bond | A♭ Major | 2 | 4B | 108 BPM | ||
| Timber I'm Falling | Ferlin Husky | E Major | 7 | 12B | 113 BPM | ||
| My Troubles Don't Trouble Me Anymore | Al Dexter | F Major | 6 | 7B | 129 BPM | ||
| Filipino Baby | Cowboy Copas | A Major | 3 | 11B | 94 BPM | ||
| Panhandle Rag | Leon Mcauliff And His Cimarron Boys | D♭ Minor | 5 | 12A | 162 BPM | ||
| Sugarfoot Rag | Red Foley, Hank Garland | E♭ Major | 5 | 5B | 114 BPM | ||
| Lonesome Yodel Blues | The Delmore Brothers | F Major | 6 | 7B | 129 BPM | ||
| Reno | Tex Williams | A Major | 2 | 11B | 92 BPM | ||
| Candy Kisses | George Morgan | C Major | 4 | 8B | 130 BPM | ||
| The Kind Of Love I Can't Forget | Bob Wills & Tommy Duncan with The Texas Playboys | G Major | 3 | 9B | 109 BPM | ||
| Traveling Shoes | Guy Mitchell | A Major | 5 | 11B | 127 BPM | ||
| Cannonball Yodel | Elton Britt | C Major | 2 | 8B | 171 BPM | ||
| Less And Less | Charlie Louvin | G Major | 3 | 9B | 116 BPM | ||
| Answer to Honky Tonk Blues | Al Dexter | F Major | 6 | 7B | 129 BPM | ||
| This Must The The Bottom | Del Reeves | A Major | 4 | 11B | 89 BPM | ||
| I'm No Longer In Your Heart | Charlie Louvin | E♭ Major | 4 | 5B | 125 BPM | ||
| Old Mountain Dew | The Delmore Brothers | F Major | 6 | 7B | 129 BPM | ||
| When They Found The Atomatic Power | Hawkshaw Hawkins | D Major | 5 | 10B | 105 BPM | ||
| Wabash Cannonball | Roy Acuff | A Major | 2 | 11B | 200 BPM |