Christian Ritter, Terence Charlston's 'Allemanda in discessum Caroli XI Regis Sueciae' had a release date set for October 14, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "The Harmonious Thuringian". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Allemanda in discessum Caroli XI Regis Sueciae is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Allemanda in discessum Caroli XI Regis Sueciae by Christian Ritter, Terence Charlston having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite in F-Sharp Minor: I. Allemande | Christian Ritter, Benjamin Alard | F♯ Minor | 1 | 11A | 84 BPM | ||
| La Furstemberg / La Royale | François Lazarevitch, Henry Purcell, François Rebel, François Francoeur, Les Musiciens De Saint-Julien | G Minor | 1 | 6A | 81 BPM | ||
| Ballet des fous et des estropiés de la cervelle: I. Entrée de l'Embabouinée | Antoine Boësset, Le Poème Harmonique, Vincent Dumestre | B♭ Major | 0 | 6B | 128 BPM | ||
| Aria Amorosa | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
| Pluhar: Orfeo Chamán, Act 2: Passacaglia di Eurídice | Christina Pluhar, L'Arpeggiata | G Minor | 2 | 6A | 183 BPM | ||
| Improvisation II on the Folia bass | Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | B Major | 1 | 1B | 107 BPM | ||
| Rossi: "Begl'occhi che dite" | Luigi Rossi, Christina Pluhar, Véronique Gens | F Minor | 0 | 4A | 109 BPM | ||
| Quatuor No. 6 in E Minor: VI. Modéré | Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | E♭ Minor | 1 | 2A | 147 BPM | ||
| Handel / Arr Pluhar: Piangerò la sorte mia (Aria di Cleopatra, from Giulio Cesare in Egitto HWV 17) | George Frideric Handel, Christina Pluhar, Núria Rial, L'Arpeggiata | D Major | 1 | 10B | 79 BPM | ||
| Concerto for 2 Mandolins, Strings and Continuo in G, RV 532 - Arr. for Recorder & Cello: 2. Andante | Antonio Vivaldi, Lucie Horsch, Gregor Horsch, Sören Leupold | F♯ Minor | 0 | 11A | 69 BPM | ||
| La vignon | Monsieur de Sainte-Colombe, Hille Perl | G Major | 1 | 9B | 115 BPM | ||
| Suite in G Major: V. Capriccio | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 1 | 2B | 80 BPM | ||
| Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
| Ciaccona di Paradiso e dell'Inferno | Anonymous, Christina Pluhar/L'Arpeggiata/Fulvio Bettini/Philippe Jaroussky | F Major | 2 | 7B | 113 BPM | ||
| Passacaglia for solo lute | Heinrich Ignaz Franz von Biber, Romanesca, Andrew Manze | E Minor | 0 | 9A | 128 BPM | ||
| Homo fugit velut umbra (Passacaglia della Vita) | Stefano Landi, L'Arpeggiata, Christina Pluhar | A Minor | 1 | 8A | 119 BPM | ||
| The Lord Monk's March / Hey to the Camp | Henry Purcell, James Oswald, Les Musiciens De Saint-Julien, François Lazarevitch | D Major | 3 | 10B | 142 BPM | ||
| Folia variations for harp solo | Anonymous, Lucas Ruiz de Ribayaz, Maxine Eilander | B Major | 1 | 1B | 148 BPM | ||
| Alcyone: Marche en rondeau | Marin Marais, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 2 | 12A | 129 BPM | ||
| Rosary Sonata No. 1 in D Minor "Mariæ Verkündigung": I. Praeludium | Heinrich Ignaz Franz von Biber, Leila Schayegh, La Centifolia | D♭ Minor | 1 | 12A | 129 BPM | ||
| Vivaldi: Salve Regina in G Minor, RV 618: I. Salve Regina | Antonio Vivaldi, Philippe Jaroussky, Ensemble Artaserse | B♭ Major | 0 | 6B | 76 BPM | ||
| Vivaldi / Arr Pluhar: Allegro (from Concerto in G minor, RV 157) | Antonio Vivaldi, Christina Pluhar, L'Arpeggiata | G Minor | 2 | 6A | 116 BPM | ||
| Moderation - Jugendschwarm | Markus Barth, Coremy, Christian Ritter, Planschemalöör, Ralf König, Julia Brandner, Ole Lehmann, Markus Barth, Coremy, Christian Ritter, Planschemalöör, Ralf König, Julia Brandner, Ole Lehmann | B♭ Major | 9 | 6B | 121 BPM | ||
| Sonatina in D Minor (pipe organ) | Christian Ritter, Pastór de Lasala | D Minor | 0 | 7A | 104 BPM | ||
| Sonatina, per organo | Christian Ritter, Enrico Viccardi | D Minor | 2 | 7A | 70 BPM |