"It's Devastating" by Anne Nikitin had its release date on April 1, 2022. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "The Dropout (Original Score)". In this album, this song's track order is #32. Furthermore, we believe that the track originated from United States. The popularity of It's Devastating is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With It's Devastating by Anne Nikitin having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Can You Remember Her Face? | Jon Opstad | F Minor | 5 | 4A | 143 BPM | ||
| Did You Love Her? | Philip Klein | E♭ Major | 1 | 5B | 136 BPM | ||
| Rue Vulta | J.T. Peterson | A Minor | 2 | 8A | 154 BPM | ||
| Wins the League | Anže Rozman, Camilo Forero, Chris Brocato | A Minor | 3 | 8A | 113 BPM | ||
| Ascensos Meteoriticos | Las Eternas | F♯ Major | 2 | 2B | 140 BPM | ||
| Journey | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| Cape of Storms | Kevin Smuts | B Major | 1 | 1B | 75 BPM | ||
| Lioness Prologue | Andrew Lockington | D Minor | 2 | 7A | 138 BPM | ||
| The Captain and Ann Barbara | Dan Romer | D Minor | 2 | 7A | 92 BPM | ||
| To the Ballroom | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | B♭ Minor | 1 | 3A | 72 BPM | ||
| The Heath | Dan Romer | A♭ Major | 1 | 4B | 75 BPM | ||
| Grief | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| Katherine and Jan | Philip Klein | E♭ Major | 1 | 5B | 136 BPM | ||
| Underwater Tracking | Kevin Smuts | C Major | 2 | 8B | 182 BPM | ||
| Old Souls | Max LL | A Minor | 4 | 8A | 122 BPM | ||
| Benji's Speech | Rupert Gregson-Williams | D Major | 2 | 10B | 140 BPM | ||
| Arrival of Tomorrow | Christoffer Franzen | B Minor | 4 | 10A | 115 BPM | ||
| First Steps | ABBOTT | D♭ Minor | 1 | 12A | 88 BPM | ||
| Young Diana | Alexandre Desplat | F Major | 0 | 7B | 80 BPM | ||
| Young Nickerson | Roque Baños | F Major | 2 | 7B | 132 BPM | ||
| Coming To | Rob Simonsen | E♭ Major | 1 | 5B | 105 BPM | ||
| Cursed Elegy | Dark Orchestral Music | C Minor | 0 | 5A | 130 BPM | ||
| David's Writings | Christopher Willis | D♭ Minor | 4 | 12A | 92 BPM | ||
| Overestimated Me | Anne Nikitin | A Minor | 0 | 8A | 76 BPM | ||
| The Investigation | Howard Harper-Barnes | C Major | 1 | 8B | 120 BPM |