Henry Mancini's ' "He Shouldn't-A, Hadn't-A, Oughtn't-A Swang On Me!" was released on its scheduled release date, December 9, 1965. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "The Great Race (Music From The Film Score)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. He Shouldn't-A, Hadn't-A, Oughtn't-A Swang On Me! is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With He Shouldn't-A, Hadn't-A, Oughtn't-A Swang On Me! by Henry Mancini having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Medley: Paris Montage | The Warner Bros. Studio Orchestra | D♭ Major | 4 | 3B | 88 BPM | ||
| Night and Day | Cole Porter | G Major | 3 | 9B | 118 BPM | ||
| I'm Gettin' Sentimental Over You | Tommy Dorsey | A Major | 1 | 11B | 104 BPM | ||
| Dream | Jo Stafford | B♭ Major | 7 | 6B | 130 BPM | ||
| Seul Ce Soir | Swing 41, Jørgen Martinsen, Peter Williams, Martin Walker, Flemming Honig | A Minor | 3 | 8A | 141 BPM | ||
| Charade | Si Zentner | A Minor | 5 | 8A | 157 BPM | ||
| Rossana - Bossa Nova Version | Armando Trovajoli, I Cantori Moderni Di Alessandroni | G Major | 2 | 9B | 80 BPM | ||
| A Tender Touch | Stephen Gray | B Minor | 3 | 10A | 98 BPM | ||
| Endless Night - Urban Romance | Dominik Scherrer | G Major | 2 | 9B | 95 BPM | ||
| Vitelloni's Bar | Nino Rota | C Major | 3 | 8B | 172 BPM | ||
| Violins in the Night | The Melachrino Strings and Orchestra | D Major | 4 | 10B | 111 BPM | ||
| Fly Me To The Moon | Astrud Gilberto | G Major | 3 | 9B | 134 BPM | ||
| Song of Tonfano | Anthony Mawer, The Hilversum Radio Orchestra, De Wolfe Music | B♭ Major | 7 | 6B | 117 BPM | ||
| The Right One | Neal Hefti | E♭ Major | 2 | 5B | 105 BPM | ||
| I'll Be Seeing You | Jackie Gleason | D♭ Major | 2 | 3B | 66 BPM | ||
| Dramma della gelosia - Titoli | Armando Trovajoli, I Cantori Moderni Di Alessandroni | F♯ Major | 5 | 2B | 97 BPM | ||
| Voice in Sight | Berto Pisano | F Major | 3 | 7B | 105 BPM | ||
| La femme rêvée | Vladimir Cosma | G Major | 1 | 9B | 111 BPM | ||
| New York Herald Tribune | Martial Solal | A Minor | 1 | 8A | 129 BPM | ||
| A Pretty Girl Is Like a Melody | The Melachrino Strings | G Major | 3 | 9B | 85 BPM | ||
| No Other Love | Victor Silvester | D♭ Major | 2 | 3B | 96 BPM | ||
| Cycles | Henry Mancini | E♭ Major | 1 | 5B | 111 BPM | ||
| Via Veneto | Nino Rota | B♭ Major | 6 | 6B | 121 BPM | ||
| Sleepy Lagoon | Tommy Dorsey | F Minor | 0 | 4A | 73 BPM | ||
| Here It Comes Again | Frank Chacksfield Orchestra | G Major | 2 | 9B | 84 BPM |