"The Final Confrontation - Pt. I" by Danny Elfman had its release date on June 19, 1992. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 21 in Batman Returns OMPST by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Final Confrontation - Pt. I's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Final Confrontation - Pt. I by Danny Elfman is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tigers Try To Get Baby | David Newman | E Minor | 5 | 9A | 86 BPM | ||
| Drive Montage | Basil Poledouris | B♭ Major | 3 | 6B | 123 BPM | ||
| Zoo Breakout | Patrick Doyle | F Major | 6 | 7B | 150 BPM | ||
| Main Title / Trinity Infinity - From "The Matrix" | Don Davis | E Minor | 5 | 9A | 136 BPM | ||
| The Rescue | John Frizzell | G Major | 2 | 9B | 142 BPM | ||
| Alien Fight | Harald Kloser | F Minor | 9 | 4A | 148 BPM | ||
| Man From the Future | Geoff Zanelli | B♭ Minor | 1 | 3A | 120 BPM | ||
| Special Privileges | Harry Gregson-Williams | B♭ Major | 2 | 6B | 158 BPM | ||
| The Opening | John Barry | D♭ Major | 1 | 3B | 118 BPM | ||
| I Can't Be Her | Johnny Klimek, Tom Tykwer | F Minor | 1 | 4A | 90 BPM | ||
| Star Trek IV: The Voyage Home: End Credits - From "Star Trek IV: The Voyage Home" | Leonard Rosenman, Cliff Eidelman, Seattle Symphony Orchestra | G Minor | 3 | 6A | 108 BPM | ||
| Morocco Pursuit | Joe Kraemer | D Minor | 6 | 7A | 80 BPM | ||
| Sign Off - Star Trek VI/Soundtrack Version | Cliff Eidelman | C Minor | 0 | 5A | 89 BPM | ||
| The Apes Attack | Patrick Doyle | F Major | 6 | 7B | 150 BPM | ||
| London 2166 / Set a Course | Blake Neely | A Major | 7 | 11B | 102 BPM | ||
| Journey Theme | Andrew Lockington | G Minor | 3 | 6A | 106 BPM | ||
| Wonder Woman Rescue | Danny Elfman | D♭ Major | 5 | 3B | 109 BPM | ||
| Freezing Inside: Mace | John Murphy | B Minor | 2 | 10A | 132 BPM | ||
| Main Theme From Star Wars And Leia's Nightmare | Joel McNeely, Royal Scottish National Orchestra, Royal Scottish National Orchestra and Chorus | B♭ Major | 3 | 6B | 84 BPM | ||
| The Challenge Fight Warm-Up - From "Dragon: The Bruce Lee Story" Soundtrack | Randy Edelman | D♭ Major | 4 | 3B | 119 BPM | ||
| Be Partners | Charlie Clouser | D Major | 3 | 10B | 132 BPM | ||
| X-MEN Cartoon Theme for Orchestra | George Shaw | A♭ Major | 5 | 4B | 121 BPM | ||
| The Mountains | David Julyan | G Major | 2 | 9B | 79 BPM | ||
| Predator 2 | Alan Silvestri | D♭ Major | 4 | 3B | 142 BPM | ||
| Theme from Ant-Man | Christophe Beck | F Minor | 6 | 4A | 145 BPM |