Surekha, Shamitha's ' "Sri Lakshmi Koduthale" was released on its scheduled release date, January 8, 2017. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Sri Lakshmi Koduthale's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Surekha, Shamitha's "Goravanahalli Mahalakshmi Namadhyana" album is number 13 out of 16. On top of that, India appears to be the country where this track was created. In terms of popularity, Sri Lakshmi Koduthale is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sri Lakshmi Koduthale by Surekha, Shamitha to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aa Konda Konalo Koluvaina | Akunuri Devayya | F Minor | 6 | 4A | 106 BPM | ||
| Shri Dutta Guruchi Kirti | Mahesh Hiremath, Shubhangi Joshi | G Major | 8 | 9B | 180 BPM | ||
| Sandyaga Hindinda | H. B. Fareet, Nandita | A Major | 3 | 11B | 120 BPM | ||
| Vighneshwara Stotra Sandhi | Daasoham | D Major | 5 | 10B | 146 BPM | ||
| Nambidavara | B. R. Chaya | E♭ Major | 7 | 5B | 90 BPM | ||
| Ello Jogappa Ninaramane | Vijay Aurs, Jaanapada Song | D♭ Major | 7 | 3B | 72 BPM | ||
| Yedo Okati Ayyappa | Ganga Puthra Narsing Rao | A Major | 8 | 11B | 100 BPM | ||
| Sundri Seheli Mitha Jahar | Santanu Sahu | A♭ Minor | 8 | 1A | 155 BPM | ||
| Tule Pahle Kouni Dekh | Dinesh Bhasinge | B Major | 8 | 1B | 100 BPM | ||
| Adhigi Bhukailasam | Anil Kumar | B Minor | 8 | 10A | 90 BPM | ||
| Kuho Kuho ( Male ) | Hariharan | F Major | 9 | 7B | 120 BPM | ||
| Hennu Honnu Mannu | Dr. Rajkumar | A Major | 4 | 11B | 99 BPM | ||
| Ame To Tara | Nidhi Dholakia | B♭ Minor | 4 | 3A | 144 BPM | ||
| Yantrametla Nadusthundathe | Vandemataram Srinivas, Vangapandu Prasad Rao | G Minor | 7 | 6A | 148 BPM | ||
| Vendi Kondameeda | Parupalli Ranganath | G Major | 5 | 9B | 171 BPM | ||
| Kondagattu Kondallo | Jadala Ramesh | B Minor | 7 | 10A | 90 BPM | ||
| Jaya Ganapa Gana Adipa | Narasimhanayak Puttur, B. R. Chaya, K.S. Surekha | E♭ Minor | 4 | 2A | 94 BPM | ||
| Chamundi Baare Manege | Vijay Aurs, Chandrika Gururaj | F♯ Minor | 9 | 11A | 118 BPM | ||
| Mooru Kannina | Yuvaraj, Vijay Ygnanarayana | F♯ Major | 8 | 2B | 110 BPM | ||
| MAMACHYA GAVALA JAUYA | Purnima Shrestha | C Major | 7 | 8B | 120 BPM | ||
| Phaladaayaka Yamage | Rajkumar | B Major | 4 | 1B | 100 BPM | ||
| Mooridiruva Kolalu | Archana Udupa,V.Nagendra Prasad | G Major | 6 | 9B | 174 BPM | ||
| Yenaitho Antaraladaga | Ramesh Chandra, Hamsalekha, B.C. Patil, Prema | D♭ Minor | 4 | 12A | 95 BPM | ||
| ENTHA SALLINIDAMMA | Jadala Ramesh | F♯ Major | 7 | 2B | 144 BPM | ||
| Heyrambha Deva Nee | Rajesh Krishnan | E♭ Major | 8 | 5B | 96 BPM |