"チャイコフスキー:交響曲第6番 ロ短調 作品74「悲愴」;第4楽章 終曲 アダージョ・ラメントーソ" by ソビエト国立交響楽団, エフゲニ・スヴェトラーノフ had its release date on February 16, 2022. This song appears to be safe for all ages as it is not explicit. There is only one song in チャイコフスキー:交響曲第6番 ロ短調 作品74「悲愴」, so we believe that "チャイコフスキー:交響曲第6番 ロ短調 作品74「悲愴」;第4楽章 終曲 アダージョ・ラメントーソ" is a single. チャイコフスキー:交響曲第6番 ロ短調 作品74「悲愴」;第4楽章 終曲 アダージョ・ラメントーソ is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of チャイコフスキー:交響曲第6番 ロ短調 作品74「悲愴」;第4楽章 終曲 アダージョ・ラメントーソ by ソビエト国立交響楽団, エフゲニ・スヴェトラーノフ is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 組曲「動物の謝肉祭」 10. 鳥かご | Camille Saint-Saëns, Sir Charles Groves, フィルハーモニア管弦楽団 | A Minor | 9 | 8A | 94 BPM | ||
| Elgar: 3 Bavarian Dances, Op. 27a: No. 2, Lullaby | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | D Major | 1 | 10B | 73 BPM | ||
| Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, Budapest Strings, Karoly Botvay | E♭ Major | 1 | 5B | 85 BPM | ||
| Má Vlast, JB1:112: III. Sarka | Bedřich Smetana, Boston Symphony Orchestra, Rafael Kubelík | E Minor | 3 | 9A | 104 BPM | ||
| Glazunov: Suite from Raymonda, Op. 57a: XI. Grand pas d'action. Grand adagio | Alexander Glazunov, José Serebrier, Royal Scottish National Orchestra | A Major | 2 | 11B | 90 BPM | ||
| Trittico Botticelliano: No. 3, La nascita di Venere | Ottorino Respighi, Bamberg Symphony, Riccardo Frizza | G Major | 3 | 9B | 80 BPM | ||
| Tema con Variaciones para Orquesta, Op. 2: I. Tema Andante | Julián Carrillo, Orquesta Sinfónica de San Luis Potosí, José Miramontes Zapata | D Major | 1 | 10B | 102 BPM | ||
| Act I, 9 Pas de Cinq: Grand Allegro Duet Variation | Édouard Deldevez, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | ||
| Falla: El sombrero de tres picos, Pt. 2: Danza del corregidor | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 3 | 9B | 80 BPM | ||
| Symphony No. 6 in B Minor, Op. 54: III. Presto | Dmitri Shostakovich, Estonian Festival Orchestra, Paavo Järvi | C Major | 2 | 8B | 158 BPM | ||
| 組曲《ホルベアの時代より》 (グリーグ)I 前奏曲 | グリーグ, Yutaka Sado, スーパーキッズ・オーケストラ | D♭ Major | 2 | 3B | 0 BPM | ||
| Smetana: Má Vlast: No. 2, Vltava "Die Moldau", Pt. 10 | Bedřich Smetana, André Cluytens, Wiener Philharmoniker | D♭ Major | 1 | 3B | 81 BPM | ||
| Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
| チャイコフスキー:交響曲第4番 へ短調 作品36;第4楽章 終曲.アレグロ・コン・フオコ | エフゲニ・スヴェトラーノフ, ソビエト国立交響楽団 | D♭ Major | 6 | 3B | 88 BPM | ||
| 交響曲第3番ヘ長調作品90 第2楽章:アンダンテ | Berliner Philharmoniker | C Major | 1 | 8B | 76 BPM | ||
| Polovtsian Dances from Prince Igor: VI. Moderato alla breve | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
| Battle with the Tamini | Jeremy Soule | G Major | 3 | 9B | 80 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: II. Andante, ma non troppo lento | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | G Major | 3 | 9B | 80 BPM | ||
| 幻想交響曲 作品14: 第4楽章: 断頭台への行進 - 2014年 キッセイ文化ホール(ライヴ) | Hector Berlioz, Saito Kinen Orchestra, Seiji Ozawa | B♭ Major | 3 | 6B | 200 BPM | ||
| サン=サーンス:交響曲 第3番 ハ短調 作品78 「オルガン付」 1 (Part1) Adagio-Allegro Moderato | Czech Philharmonic Chamber Orchestra, Ken-Ichiro Kobayashi | A♭ Major | 1 | 4B | 108 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: XI. Auf dem Gletscher | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | G Minor | 3 | 6A | 88 BPM | ||
| バレエ組曲「眠りの森の美女」 序奏 | ベルリン フィルハーモニー管弦楽団, ニューフィルハーモニア管弦楽団 | B Minor | 3 | 10A | 64 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 5, Intermezzo | Felix Mendelssohn, Philharmonia Orchestra, Sir Neville Marriner | D Minor | 1 | 7A | 136 BPM | ||
| Der Fischer und das Milchmädchen: Overture | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 1 | 11B | 83 BPM |