Doc Watson, Merle Watson's ' "Talking To Casey" was released on its scheduled release date, January 1, 1983. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Talking To Casey's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 12 in Doc & Merle Watson's Guitar Album by Doc Watson, Merle Watson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Talking To Casey is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Talking To Casey by Doc Watson, Merle Watson is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blue Virginia Blues | Larry Sparks | F Major | 3 | 7B | 184 BPM | ||
| Shadows In My Room | Hot Rize | G Major | 4 | 9B | 126 BPM | ||
| Loggin' Man | Del McCoury | A Major | 6 | 11B | 167 BPM | ||
| Loneliness And Desperation | Del McCoury | B Major | 5 | 1B | 111 BPM | ||
| Aquatic Hitchhiker | Leftover Salmon | C Major | 8 | 8B | 165 BPM | ||
| Five Alive | Leftover Salmon | G Major | 6 | 9B | 134 BPM | ||
| Wild Bill Jones | Charlie Parr | F♯ Major | 0 | 2B | 117 BPM | ||
| Little Sadie | Doc Watson | D Minor | 2 | 7A | 110 BPM | ||
| Walkin' Down The Road | The Ozark Mountain Daredevils | E Major | 7 | 12B | 109 BPM | ||
| Freeborn Man | Jimmy Martin | A Major | 5 | 11B | 121 BPM | ||
| Where The Wild River Rolls | Hot Rize | C Minor | 2 | 5A | 129 BPM | ||
| Elkhorn Creek | Wood Belly | G Major | 7 | 9B | 130 BPM | ||
| Radio | Hackensaw Boys | C Major | 6 | 8B | 89 BPM | ||
| Freeborn Man | Junior Brown | G Major | 5 | 9B | 151 BPM | ||
| One Way Track | Boone Creek | F♯ Minor | 4 | 11A | 122 BPM | ||
| New Country Blues | Emmitt-Nershi Band | B Major | 7 | 1B | 153 BPM | ||
| Little Darling Pal Of Mine | Doc Watson | D Major | 3 | 10B | 123 BPM | ||
| Free Born Man | Jimmy Martin | A Major | 7 | 11B | 131 BPM | ||
| Locust Hill | Justin Moses | E Major | 8 | 12B | 162 BPM | ||
| That High Lonesome Sound | The Nashville Bluegrass Band | A Major | 4 | 11B | 113 BPM | ||
| Steamboat Whistle Blues | John Hartford | G Major | 5 | 9B | 106 BPM | ||
| Blue Ridge Mountain Blues | Earl Scruggs, John Fogerty | G Major | 8 | 9B | 120 BPM | ||
| Hello City Limits | Red Allen | E Minor | 7 | 9A | 140 BPM | ||
| Going Down This Road Feeling Bad | Doc Watson | G Major | 8 | 9B | 127 BPM | ||
| Bon Aqua Blues | Tony Trischka | G Major | 7 | 9B | 123 BPM |