Ray Bryant's ' "Joy (Blues #2)" was released on its scheduled release date, January 1, 1996. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 7 in Alone With The Blues by Ray Bryant. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Joy (Blues #2)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Joy (Blues #2) by Ray Bryant is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lotus Flower - Rudy Van Gelder Edition/2007 Digital Remaster | Kenny Dorham | E♭ Major | 3 | 5B | 90 BPM | ||
| Soul Eyes | John Coltrane Quartet | F Minor | 3 | 4A | 78 BPM | ||
| For All We Know | Paul Desmond | F♯ Major | 1 | 2B | 99 BPM | ||
| Ascent | Art Hirahara, Joe Martin, Rudy Royston | D Minor | 1 | 7A | 101 BPM | ||
| Born To Be Blue | Tommy Flanagan Trio | D Minor | 1 | 7A | 115 BPM | ||
| Cubano Chant | Ray Bryant | B♭ Minor | 2 | 3A | 114 BPM | ||
| So Lovely | Ben Wolfe | E♭ Minor | 1 | 2A | 95 BPM | ||
| Thou Swell | Betty Carter, Ray Bryant | F Minor | 6 | 4A | 127 BPM | ||
| Where We Used To Live | Esbjörn Svensson Trio | C Major | 1 | 8B | 95 BPM | ||
| Body And Soul | Barry Harris | B♭ Minor | 1 | 3A | 82 BPM | ||
| God Bless the Child | Sonny Rollins | D Major | 0 | 10B | 102 BPM | ||
| (It Will Have To Do) Until The Real Thing Comes Along - Remastered | Dexter Gordon | B♭ Major | 2 | 6B | 62 BPM | ||
| There Is No Greater Love | McCoy Tyner Trio | G Minor | 3 | 6A | 166 BPM | ||
| Polka Dots And Moonbeams | Bud Powell | D Minor | 2 | 7A | 101 BPM | ||
| Delarna | Tommy Flanagan Trio | D Major | 3 | 10B | 101 BPM | ||
| Blue Moon - Live At Civic Opera House, Chicago / 1957 | Roy Eldridge, John Lewis, Percy Heath, Connie Kay | F Major | 0 | 7B | 83 BPM | ||
| Quintessence | Warne Marsh | C Minor | 2 | 5A | 77 BPM | ||
| In The Wee Small Hours Of The Morning | Gerry Mulligan Sextet | G Major | 0 | 9B | 115 BPM | ||
| My One And Only Love | Chick Corea, Malcolm Addey | F Minor | 3 | 4A | 79 BPM | ||
| This Masquerade Is Over | Sammy Sanders Band | F Minor | 2 | 4A | 93 BPM | ||
| Leave Me Here | Triosence | B♭ Minor | 3 | 3A | 104 BPM | ||
| I've Got A Crush On You | Nat Adderley, Wes Montgomery, Sam Jones | A♭ Major | 1 | 4B | 133 BPM | ||
| Sweet Beautiful | Ben Wolfe | D♭ Minor | 1 | 12A | 107 BPM | ||
| Night And Day | Don Byas | A♭ Major | 1 | 4B | 117 BPM | ||
| Crazy She Calls Me | Lee Konitz | F Major | 0 | 7B | 177 BPM |