"オール・ガーシュイン・フォー・トロンボーン・クァルテット ア・フォッギー・デイ" by G.ガーシュイン, 東京トロンボーン・クァルテット, 栗田雅勝(トロンボーン), 神谷敏(トロンボーン), 小田桐寛之(トロンボーン), 秋山鴻市(トロンボーン) had its release date on July 25, 2012. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in モルト・トロンボーン, so we believe that "オール・ガーシュイン・フォー・トロンボーン・クァルテット ア・フォッギー・デイ" is a single. オール・ガーシュイン・フォー・トロンボーン・クァルテット ア・フォッギー・デイ is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of オール・ガーシュイン・フォー・トロンボーン・クァルテット ア・フォッギー・デイ by G.ガーシュイン, 東京トロンボーン・クァルテット, 栗田雅勝(トロンボーン), 神谷敏(トロンボーン), 小田桐寛之(トロンボーン), 秋山鴻市(トロンボーン) is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata, Op. 167: I. Allegretto | Camille Saint-Saëns, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 77 BPM | ||
| 3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 3, Idylle. Allegro moderato | Cécile Chaminade, Eric Parkin | E Minor | 0 | 9A | 123 BPM | ||
| Poulenc: Piano Concerto in C-Sharp Minor, FP 146: III. Rondeau à la française | Francis Poulenc, James Conlon, François-René Duchâble, Rotterdam Philharmonic Orchestra | F♯ Major | 1 | 2B | 79 BPM | ||
| パリのアメリカ人 | G.ガーシュイン, ザ・モスト, 奥野儀光(トランペット), 杉本正毅(トランペット), 高橋敦(トランペット), 田中敏雄(トランペット), 中山隆崇(トランペット), 森岡正典(トランペット), 船本貴美子(ピアノ) | F Major | 1 | 7B | 68 BPM | ||
| Piano Trio in G Minor, Op. 15, JB 1:64: III. Finale. Presto | Bedřich Smetana, Smetana Trio | A Major | 0 | 11B | 88 BPM | ||
| Clarinet Trio in A Minor, Op. 114: III. Andantino grazioso | Johannes Brahms, Han Chen, Clare Monfredo, Eric Schultz | A Major | 1 | 11B | 167 BPM | ||
| Songs of a Wayfarer (with Catherine Milledge) | Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| Smetana: 3 Poetic Polkas, Op. 8: No. 1 in E-Flat Major | Bedřich Smetana, András Schiff | A♭ Major | 1 | 4B | 107 BPM | ||
| オール・ガーシュイン・フォー・トロンボーン・クァルテット そうとは限らないぜ | G.ガーシュイン, 東京トロンボーン・クァルテット, 栗田雅勝(トロンボーン), 神谷敏(トロンボーン), 小田桐寛之(トロンボーン), 秋山鴻市(トロンボーン) | G Minor | 0 | 6A | 94 BPM | ||
| Piano Trio No. 2 in C Minor, Op. 66, MWV Q 33: II. Andante espressivo | Felix Mendelssohn, Julia Fischer, Jonathan Gilad, Daniel Müller-Schott | E♭ Major | 0 | 5B | 81 BPM | ||
| Evermore | Paul Moravec, Maria Bachmann, Stephen Gosling | G Major | 0 | 9B | 68 BPM | ||
| Stück für Flötenuhr nr. 30 | The Royal Wind Music | B♭ Major | 1 | 6B | 112 BPM | ||
| Sonate, Op. 64: I. Andantino con moto | Mel Bonis, Juliette Hurel, Hélène Couvert | D♭ Major | 0 | 3B | 96 BPM | ||
| Liebestraum No. 3, S 541 | Franz Liszt, Michael Collins, Michael McHale | A♭ Major | 0 | 4B | 76 BPM | ||
| Nocturne, Op. 40, B. 47 | Antonín Dvořák, Panocha Quartet, Pavel Nejtek | B Major | 0 | 1B | 96 BPM | ||
| 14 Songs, Op. 34, No. 14. Vocalise in E Minor: 14 Songs, Op. 34: No. 14, Vocalise in E Minor (Arr. L. Rose) | Sergei Rachmaninoff, Martin Fröst, Roland Pöntinen | G Minor | 1 | 6A | 135 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| Clarinet Concerto: I. Allegro | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | A Major | 2 | 11B | 128 BPM | ||
| Stravinsky: Concerto in E-Flat Major "Dumbarton Oaks": II. Allegretto | Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra | B♭ Major | 0 | 6B | 97 BPM | ||
| Sonatina for Clarinet and Piano: I. Allegro con brio | Malcolm Arnold, Ronald Van Spaendonck, Eliane Reyes | G Minor | 2 | 6A | 144 BPM | ||
| Sonate pour flûte et piano, Op. 64: IV. Finale. Moderato - Grazioso | Mel Bonis, Mathilde Calderini, Aurèle Marthan | D♭ Minor | 2 | 12A | 111 BPM | ||
| Críptico No. 9 | Iván Enrique Rodríguez, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Improvisation No. 7 in C Major: Modere sans lenteur | Francis Poulenc, Olivier Cazal | F Major | 1 | 7B | 83 BPM | ||
| Clarinet Trio in A Minor, Op. 114: II. Adagio | Johannes Brahms, Han Chen, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM |