On September 1, 1980, the song "Daley Pari Mayura" was released by Dhanada Pathak, Rameshwar Pathak. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Daley Pari Mayura's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 10 in Assamese Folk Songs Rameshwar Pathak And Dhanada Pathak by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Daley Pari Mayura's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Daley Pari Mayura by Dhanada Pathak, Rameshwar Pathak is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ami Tomar Sange Bendhechhi Amar Pran | Chinmoy Chatterjee | E♭ Major | 4 | 5B | 126 BPM | ||
| Ma Go Samay To Thakbe Na | Pannalal Bhattacharya | F Minor | 3 | 4A | 138 BPM | ||
| Khorer Protima Pujis Re Tora | Swaraj Roy | A Major | 4 | 11B | 160 BPM | ||
| Pimpalachya Zada Mage | Anjali Nandgavakar | F♯ Minor | 3 | 11A | 108 BPM | ||
| Dotara Bajai Ami | Sanajit Mondal | F♯ Major | 4 | 2B | 137 BPM | ||
| Manchindranathcha Mala Lagla Dhyan | Shakuntala Jadhav | G Minor | 3 | 6A | 122 BPM | ||
| Rahenachha Mero Kehi | Bhakta Raj Acharya | B♭ Major | 5 | 6B | 148 BPM | ||
| Ananthane | Rajkumar | E♭ Minor | 5 | 2A | 94 BPM | ||
| A Aji Baular Biha | Rameshwar Pathak, Dhanada Pathak | F Major | 4 | 7B | 131 BPM | ||
| Re Nirdoye Tumi Ki | Jayati Chakraborty | A Major | 3 | 11B | 95 BPM | ||
| Patta Patta Boota Boota Hal Hamara Jane Hai | Ghulam Ali | D♭ Major | 5 | 3B | 144 BPM | ||
| Bolo Bolo Sobai Mile | Kumar Sanu | A♭ Major | 7 | 4B | 107 BPM | ||
| Thakto Jodi Premer Adalot | Kanak Chapa | F Minor | 6 | 4A | 167 BPM | ||
| Elo Re Elo | Arundhati Holme Chowdhury, Salil Chowdhury | E Minor | 5 | 9A | 129 BPM | ||
| Emon Anek Kathai Bol Tumi | Satinath Mukherjee | E♭ Major | 3 | 5B | 101 BPM | ||
| Kato Je Tumi Monohar | Chinmoy Chatterjee | F♯ Major | 4 | 2B | 164 BPM | ||
| Kolkata Kebol Bhule Bhora | Ramkumar Chattopadhyay | C Minor | 4 | 5A | 78 BPM | ||
| O Didimoni | Aarti Mukherji | F Minor | 3 | 4A | 72 BPM | ||
| Amar Barir Pison Diya | Momtaz, Rekha Akter, Nila Pagli | F♯ Major | 8 | 2B | 99 BPM | ||
| Trishulavari Kashipuri Chakravarti Pandhari Aabhang | Bhakti Bhajan, Prajwal Prk, Vrushabh Kathale | D Major | 10 | 10B | 85 BPM | ||
| Sajo Sundori Koinnya | Maadal | A Major | 3 | 11B | 63 BPM | ||
| Muktir Mandir Sopan Tole | Manna Dey | D♭ Major | 4 | 3B | 124 BPM | ||
| KRISHNA BOLE AMAR RADHA | Aditi Munshi | C Major | 5 | 8B | 84 BPM | ||
| Deva Devi Sri Gowri Devi | Parupalli Ranganath | A♭ Major | 4 | 4B | 140 BPM | ||
| Nwngbai Malaikha Aswk Salni Ulo | Arun Debbarma | E♭ Major | 9 | 5B | 114 BPM |