"Lachrymae, Reflections on a song by John Dowland, Op. 48a (Version for Viola and String Orchestra): No. 4, Allegro con moto" by Benjamin Britten, Tabea Zimmermann, Ensemble Resonanz had its release date on November 7, 2025. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 16 out of 23 in Enescu: String Octet, Op. 7 – Britten: Lachrymae, Op. 48a (Versions for string orchestra) by Tabea Zimmermann, Ensemble Resonanz. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Lachrymae, Reflections on a song by John Dowland, Op. 48a (Version for Viola and String Orchestra): No. 4, Allegro con moto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lachrymae, Reflections on a song by John Dowland, Op. 48a (Version for Viola and String Orchestra): No. 4, Allegro con moto by Benjamin Britten, Tabea Zimmermann, Ensemble Resonanz is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Variations on a theme of Frank Bridge, Op.10: 7. Wiener Waltzer | Benjamin Britten, English Chamber Orchestra | C Major | 1 | 8B | 98 BPM | ||
| Ravel: Suite No. 2 from Daphnis et Chloé, M. 57: II. Pantomime | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | D♭ Minor | 0 | 12A | 137 BPM | ||
| The Firebird Suite (1919 Version): Introduction - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | C Minor | 0 | 5A | 90 BPM | ||
| Requiem, Op. 9: VI. Agnus Dei | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
| The Holy Boy | John Ireland, Richard Hickox, London Symphony Orchestra | G Minor | 0 | 6A | 101 BPM | ||
| Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A Major | 0 | 11B | 88 BPM | ||
| Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
| 2 Pieces for Strings from Henry V: No. 1, Passacaglia. Death of Falstaff | William Walton, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | ||
| Masques et bergamasques Suite, Op. 112: III. Gavotte. Allegro vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | ||
| Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
| The Dream of Gerontius, Op. 38 / Part 1: "Jesu, Maria, I Am Near To Death" | Edward Elgar, Sir Peter Pears, Choir of King's College, Cambridge, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | E♭ Major | 1 | 5B | 139 BPM | ||
| Requiem, Op. 9: I. Introït | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Vier letzte Lieder: 1. Frühling | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 0 | 10B | 98 BPM | ||
| Vielle prière bouddhique (Prière quotidienne pour tout l'Univers) For Tenor, Chorus And Orchestra | Lili Boulanger, Julian Podger, The Monteverdi Choir, London Symphony Orchestra, John Eliot Gardiner | F Minor | 1 | 4A | 83 BPM | ||
| Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | E♭ Major | 0 | 5B | 94 BPM | ||
| Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto, con malizia | William Walton, London Symphony Orchestra, Sir Colin Davis | F Major | 2 | 7B | 153 BPM | ||
| Ein Sommernachtstraum (A Midsummer's Night Dream): XI. Finale "Bei des Feuers mattem Flimmern" | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe, Sandrine Piau, La Chapelle Royale, Collegium Vocale Gent, Delphine Collot | E Major | 0 | 12B | 146 BPM | ||
| Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
| Mass in B Minor, BWV 232: Dona nobis pacem | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 2 | 3B | 135 BPM | ||
| Ein deutsches Requiem, Op. 45: V. "Ihr habt nun Traurigkeit" | Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, André Previn, David Wilson-Johnson, Harolyn Blackwell | A♭ Major | 1 | 4B | 140 BPM | ||
| Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Concerto in E-Flat Major, "Dumbarton Oaks": I. Tempo giusto | Igor Stravinsky, Orchestra of St. Luke's, Robert Craft | E♭ Major | 2 | 5B | 91 BPM | ||
| Piano Quartet: Nicht zu schnell | Gustav Mahler, Wiener Klaviertrio | F Major | 1 | 7B | 137 BPM | ||
| A Severn Rhapsody, Op.3 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 66 BPM |