Traditional, Tim Treford's ' "Guggisberglied - arr. piano" was released on its scheduled release date, April 23, 2021. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Guggisberglied - arr. piano's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tim Treford, Traditional's "Guggisberglied (swiss folk song)" album is number 1 out of 2. Guggisberglied - arr. piano is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Guggisberglied - arr. piano by Traditional, Tim Treford to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Worcester Ladymass: Agnus Dei | Traditional, Trio Mediæval | A Minor | 0 | 8A | 80 BPM | ||
| Messiah, HWV 56: For unto us a child is born (Arr. S. Johannsen) | George Frideric Handel, Dorthe Zielke, Søren Johannsen | G Major | 1 | 9B | 107 BPM | ||
| Misa a Buenos Aires "Misatango": Benedictus | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | G Major | 1 | 9B | 78 BPM | ||
| Lo, how a Rose e'er blooming | Traditional, Choir of Merton College, Oxford, Benjamin Nicholas | F Major | 1 | 7B | 119 BPM | ||
| Love Is Come Again | Traditional, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 3 | 6B | 116 BPM | ||
| In stiller Nacht | Johannes Brahms, Dresdner Kreuzchor, Rudolf Mauersberger | D Major | 0 | 10B | 90 BPM | ||
| Miserere, Op. 44: 11. Miserere nobis - Lento, tranquilissimo, cantabilissimo, dolcissimo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | A Minor | 0 | 8A | 129 BPM | ||
| Liturgy of St. John Chrysostom, Op. 41: VI. Hymn of the Cherubim | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E Minor | 0 | 9A | 85 BPM | ||
| Albinoni / Giazotto: The Beatitudes (Adagio) | Remo Giazotto, Tomaso Albinoni, Edward Higginbottom, Choir of New College, Oxford, Capricorn | C Minor | 2 | 5A | 95 BPM | ||
| Humming Chorus | Giacomo Puccini, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè | A Major | 2 | 11B | 78 BPM | ||
| Jesu, Joy of Man's Desiring - Instrumental | Johann Sebastian Bach, Philadelphia Orchestra, Eugene Ormandy | G Major | 2 | 9B | 70 BPM | ||
| Be Still, My Soul | The Choir of Trinity College, Melbourne, Michael Leighton Jones | E♭ Major | 1 | 5B | 80 BPM | ||
| Hear my Prayer, O Lord, Z. 15 | Henry Purcell, Armonico Consort, Christopher Monks | C Major | 1 | 8B | 65 BPM | ||
| Ecce Agnus Dei | Choeur des moines de l'abbaye Notre Dame de Fontgombault, The Schola Cantorum of St. Peter's in the Loop, Lege Artis Chamber Choir, Father Michaels | E♭ Major | 2 | 5B | 67 BPM | ||
| Arioba/Anyiario | Alex Ugwu | G Major | 7 | 9B | 150 BPM | ||
| Serse, HWV 40, Act I: "Ombra mai fu" | George Frideric Handel, Cai Thomas, The Bourne Ensemble, Robert Lewis | G Major | 1 | 9B | 177 BPM | ||
| The Master Masons Pillar | Tallis Chamber Choir, Edinburgh Renaissance Band, The | F Minor | 3 | 4A | 141 BPM | ||
| Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 89 BPM | ||
| Mother of God, Here I Stand | John Tavener, Birmingham Conservatoire Chamber Choir, Paul Spicer | G Major | 0 | 9B | 130 BPM | ||
| L’ombra dei boschi d’Aser | Pietro Clausetti, Norrlands Nations Kammarkör, Francesco Acquista | D Major | 3 | 10B | 75 BPM | ||
| This Is Not a White Birch | Traditional, St. Petersburg Optina Pustyn Male Choir | E♭ Major | 1 | 5B | 74 BPM | ||
| O Weisheit | Chamber Choir Versija | B Major | 2 | 1B | 82 BPM | ||
| Protect Thy People, O Lord | Dominican House of Studies | E Minor | 2 | 9A | 88 BPM | ||
| Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 1 | 5B | 139 BPM | ||
| Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM |