On December 10, 1992, the song "誰が許すの君のわがままを" was released by 財津和夫. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 11 in CALL by 財津和夫. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, 誰が許すの君のわがままを's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 誰が許すの君のわがままを by 財津和夫 is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 愛が生まれた日 | Miwako Fujitani, 大内 義昭 | E Minor | 7 | 9A | 110 BPM | ||
| 恋愛症候群-その発病及び傾向と対策に関する一考察- | Masashi Sada | E♭ Major | 4 | 5B | 85 BPM | ||
| 時が経てば | 財津和夫 | F Major | 2 | 7B | 140 BPM | ||
| JUST BECAUSE | THE JAYWALK | A Minor | 6 | 8A | 128 BPM | ||
| WELCOME TO MY HOUSE | 財津和夫 | C Major | 7 | 8B | 166 BPM | ||
| 役者 | ちあきなおみ | G Minor | 7 | 6A | 128 BPM | ||
| あの夏を追いかけて | Anzen Chitai | A Major | 7 | 11B | 116 BPM | ||
| 眦 | Kei Ogura | C Minor | 5 | 5A | 124 BPM | ||
| True Love | Fumiya Fujii | D♭ Major | 3 | 3B | 102 BPM | ||
| サヨナラ模様 | 伊藤敏博 | F Minor | 4 | 4A | 134 BPM | ||
| 潮の香りの中で | あみん | D Major | 3 | 10B | 75 BPM | ||
| 突然 | Tetsuro Oda | G Major | 2 | 9B | 97 BPM | ||
| TAXI | Kiyomi Suzuki, Rats & Star | G Major | 4 | 9B | 70 BPM | ||
| ラヴ・イズ・オーヴァー | Takajin Yashiki | F Major | 5 | 7B | 137 BPM | ||
| 夏の日 - 「ザ・シングルス」LIVE 2018 Day2 | Chisato Moritaka | A Major | 6 | 11B | 93 BPM | ||
| 夢一夜 | Kosetsu Minami | G Minor | 4 | 6A | 154 BPM | ||
| 虹と雪のバラード | Toi et Moi | E♭ Major | 3 | 5B | 94 BPM | ||
| ラスト・シーン | Hiromi Iwasaki | B♭ Major | 3 | 6B | 110 BPM | ||
| 虚心未遂 | Kazuo Zaitsu | D Major | 6 | 10B | 120 BPM | ||
| 百花繚乱 | ちあきなおみ | C Major | 5 | 8B | 128 BPM | ||
| Lonely Soldier | The Checkers | D Major | 4 | 10B | 118 BPM | ||
| シャイニン・オン 君が哀しい | Look | A Major | 10 | 11B | 151 BPM | ||
| Woman | Keizo Nakanishi | B Minor | 7 | 10A | 92 BPM | ||
| 春 | Iruka | F Major | 5 | 7B | 143 BPM | ||
| 愛し方も分からずに | 東野純直 | A Major | 7 | 11B | 170 BPM |