Charley Pride's ' "You'll Still Be the One" was released on its scheduled release date, November 1, 1971. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. You'll Still Be the One's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Sings Heart Songs". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, You'll Still Be the One is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With You'll Still Be the One by Charley Pride having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ain't You Even Gonna Cry | Johnny Russell | F Major | 3 | 7B | 79 BPM | ||
| She's Too Good to Be True | Charley Pride | E Major | 3 | 12B | 109 BPM | ||
| Pass Me By (If You're Only Passing Through) | Janie Fricke | D Major | 3 | 10B | 108 BPM | ||
| Big Man in a Big House | Leroy Van Dyke | A Minor | 8 | 8A | 172 BPM | ||
| Let Me Live With Love (And Die With You) | Ricky Van Shelton | A♭ Major | 3 | 4B | 107 BPM | ||
| I Can't Seem To Say Goodbye | Hawkshaw Hawkins | D Major | 2 | 10B | 86 BPM | ||
| I Need The High (But I Can't Stand The Taste) | Dr. Hook | D Major | 3 | 10B | 52 BPM | ||
| It's Gonna Take a Little Bit Longer | Charley Pride | E Major | 7 | 12B | 78 BPM | ||
| 'Til a Tear Becomes a Rose | Lorrie Morgan, Keith Whitley | F Major | 3 | 7B | 104 BPM | ||
| Does My Ring Hurt Your Finger | Charley Pride | B Major | 4 | 1B | 108 BPM | ||
| I Love You, I Love You | David Houston, Barbara Mandrell | E♭ Major | 4 | 5B | 100 BPM | ||
| I'm Beginning to Believe My Own Lies | Charley Pride | E Major | 3 | 12B | 113 BPM | ||
| Lord I Need Somebody Bad Tonight With Charley Pride | Jack Greene | G Major | 4 | 9B | 103 BPM | ||
| Through the Eyes of a Fool | Lefty Frizzell | C Major | 2 | 8B | 92 BPM | ||
| One Takes The Blame | The Statlers | E Major | 1 | 12B | 77 BPM | ||
| Imagine That | Logue & McCool | E Major | 5 | 12B | 154 BPM | ||
| The Streets of Baltimore | Bobby Bare | E Major | 4 | 12B | 116 BPM | ||
| Heartaches by The Number | The Kendalls | G Major | 5 | 9B | 127 BPM | ||
| If You're Gonna Do Me Wrong, Do It Right | Vern Gosdin | B♭ Major | 3 | 6B | 76 BPM | ||
| Your Old Cold Shoulder | Crystal Gayle | A♭ Major | 3 | 4B | 98 BPM | ||
| Oh So Many Years | George Hamilton IV | E Major | 2 | 12B | 115 BPM | ||
| I'll Be True To You | The Oak Ridge Boys | E Major | 2 | 12B | 144 BPM | ||
| The Door Is Always Open | Dave and Sugar | F Major | 5 | 7B | 188 BPM | ||
| From Left To Right | Kitty Wells | D Major | 4 | 10B | 124 BPM | ||
| After The Lights Go Out | Ricky Van Shelton | B♭ Major | 3 | 6B | 88 BPM |