Aníbal Troilo Y Su Orquesta Típica's 'Barrio De Tango' had a release date set for January 29, 2004. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Barrio De Tango's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Aníbal Troilo's "Milonguita" album is number 2 out of 13. On top of that, Argentina appears to be the country where this track was created. In terms of popularity, Barrio De Tango is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Barrio De Tango by Aníbal Troilo Y Su Orquesta Típica to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Don Agustín Bardi | Armando Pontier | G Minor | 1 | 6A | 120 BPM | ||
| Sentimiento Gaucho | Francisco Lomuto | A Major | 2 | 11B | 126 BPM | ||
| Farolito Viejo | Héctor Varela y su Orquesta Típica, Armando Laborde | C Major | 2 | 8B | 117 BPM | ||
| Cimarrón de ausencia - Estilo Aníbal Troilo | SEXTETO VISCERAL | E Minor | 5 | 9A | 106 BPM | ||
| Marión | Orquesta Típica Sans Souci | G Major | 3 | 9B | 123 BPM | ||
| Bomboncito | Orquesta Fulvio Salamanca, Armando Guerrico | C Minor | 2 | 5A | 124 BPM | ||
| Lo Que Vendra | Aníbal Troilo Y Su Orquesta Típica | B Minor | 3 | 10A | 124 BPM | ||
| Dímelo al Oído | Francisco Lomuto, Alberto Rivera | B♭ Major | 1 | 6B | 126 BPM | ||
| El Motivo | Aníbal Troilo Y Su Orquesta Típica | D Minor | 5 | 7A | 138 BPM | ||
| Anorandote - Instrumental | Sexteto Carlos Di Sarli | B Major | 3 | 1B | 122 BPM | ||
| Tormenta | Francisco Lomuto y su Orquesta Típica | B Minor | 4 | 10A | 132 BPM | ||
| No Vendra | Angel D'Agostino, Ángel Vargas | B♭ Major | 3 | 6B | 122 BPM | ||
| Milonga Vieja Milonga | Miguel Villasboas | C Minor | 7 | 5A | 104 BPM | ||
| Charlemos | Carlos Di Sarli, Roberto Rufino | C Minor | 3 | 5A | 127 BPM | ||
| El Buey Solo | Orquesta Típica Tanturi | A♭ Major | 4 | 4B | 141 BPM | ||
| El internado | Orquesta Juan D' Arienzo | D Major | 5 | 10B | 130 BPM | ||
| Caricias | Hugo Duval y Rodolfo Biaggi | E Minor | 2 | 9A | 121 BPM | ||
| Torrente | Hyperion Ensemble, Ruben Peloni | B Major | 4 | 1B | 117 BPM | ||
| Barreras de amor | Orquesta Roberto Firpo, Carlos Varela, Antonio Sureda, Geronimo Sureda | A Major | 3 | 11B | 150 BPM | ||
| No Te Apures Cara Blanca | Lucio Demare, Juan Carlos Miranda | D Major | 2 | 10B | 126 BPM | ||
| Milongueando en el 40 | Aníbal Troilo Y Su Orquesta Típica | F♯ Minor | 3 | 11A | 133 BPM | ||
| Carrillón de la Merced | Orquesta Tipica Victor | B Minor | 2 | 10A | 114 BPM | ||
| Trenzas | Orquesta Típica Sans Souci, Emiliano Castignola | G Minor | 3 | 6A | 127 BPM | ||
| Recuerdo Malevo | Orquesta Típica Tanturi, Roberto Malevo | A Minor | 0 | 8A | 85 BPM | ||
| Bajo un Cielo de Estrellas | Orquesta Típica Sans Souci | A Major | 4 | 11B | 99 BPM |