Франц Шуберт, Вера Горностаева's ' "Двенадцать вальсов, семнадцать лендлеров и девять экосезов, соч. 18, D. 145: No. 5 ми минор" was released on its scheduled release date, December 8, 2015. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in Корифеи фортепианного искусства XX века. Том 10, so we believe that "Двенадцать вальсов, семнадцать лендлеров и девять экосезов, соч. 18, D. 145: No. 5 ми минор" is a single. Двенадцать вальсов, семнадцать лендлеров и девять экосезов, соч. 18, D. 145: No. 5 ми минор is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Двенадцать вальсов, семнадцать лендлеров и девять экосезов, соч. 18, D. 145: No. 5 ми минор by Франц Шуберт, Вера Горностаева is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Acte I - Tableau I : "Où est Blanche" | Francis Poulenc, Jean-Pierre Marty | D Major | 2 | 10B | 84 BPM | ||
| Requiem, Op. 9: Pie Jesu | Maurice Duruflé, Okka von der Damerau, Ivan Repušić, Munich Radio Orchestra, Uladzimir Sinkevich | A♭ Major | 1 | 4B | 82 BPM | ||
| I Colori della Gioia | Jan van der Roost, Anneke Luyten, Casco Phil | D Major | 2 | 10B | 68 BPM | ||
| Cui: 25 Poems by Pushkin, Op. 57: No. 25, Desire | César Cui, Boris Christoff, Serge Zapolsky | C Major | 2 | 8B | 114 BPM | ||
| Seven Poems by James Joyce, R. 51: IV. The Pleasant Valley | Ernest John Moeran, Roderick Williams, John Talbot | D♭ Major | 0 | 3B | 85 BPM | ||
| Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
| Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "So recht! Und willst du nun nicht mehr klagen" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | G Minor | 1 | 6A | 127 BPM | ||
| 6 Lieder für eine Frauenstimme (2006 Digital Remaster): Wiegenlied im Sommer (wds. Reinick) | Hugo Wolf, Elisabeth Schwarzkopf, Gerald Moore | F Major | 0 | 7B | 159 BPM | ||
| Rossini: Petite messe solennelle: II. Gloria, 1. Gloria in excelsis Deo - 2. Et in terra pax (Chorus, Soprano, Alto, Tenor, Bass, Chorus). Allegro maestoso - Andantino mosso | Gioachino Rossini, Antonio Pappano, Serge Koussevitzky, Boston Symphony Orchestra | A Major | 0 | 11B | 82 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| Oh pourquoi donc, S. 301a | Franz Liszt, Katharina Konradi, Daniel Heide | E Major | 0 | 12B | 67 BPM | ||
| L'elisir d'amore / Act I: Come Paride vezzoso | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | F Major | 2 | 7B | 73 BPM | ||
| Trial by Jury: When I, Good Friends, Was Called to the Bar | Gilbert & Sullivan Society of Houston | G Major | 4 | 9B | 116 BPM | ||
| An die Musik, D.547 (Op.88/4) | Franz Schubert, Bryn Terfel, Malcolm Martineau | C Major | 0 | 8B | 135 BPM | ||
| Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia | Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky | D Minor | 1 | 7A | 82 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Act I: Marsch: Alle sind wir Sunder (Boni, Feri, 8 men) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | D Major | 2 | 10B | 127 BPM | ||
| U.S.S. Metaphor - Highlights | Community Women's Orchestra, Gilbert & Sullivan, Steve Gallagher, Ken McPherson, Robert Benda, Michael Tate, Dr Kathleen McGuire | F Major | 5 | 7B | 95 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | G Major | 2 | 9B | 74 BPM | ||
| Sure on This Shining Night: Sure on This Shining Night | Felicity Lott, Graham Johnson | B♭ Major | 0 | 6B | 109 BPM | ||
| Фортепианная транскрипция четырех мелодий Франца Шуберта, S. 562: No. 1 Литания - Live | Ференц Лист, Франц Шуберт, Дмитрий Башкиров, Rudolf Barshai, Виктор Дубровский, Yevgeny Svetlanov, Kirill Kondrashin, Московский камерный оркестр, Симфонический оркестр Московской филармонии, Государственный академический симфонический оркестр СССР | E Major | 1 | 12B | 130 BPM | ||
| H.M.S. Pinafore / Act 2: Fair moon to thee I sing | Arthur Sullivan, The D'Oyly Carte Opera Company, Jeffrey Skitch, The New Symphony Orchestra Of London, Isidore Godfrey | A Major | 1 | 11B | 102 BPM | ||
| Schwanengesang, D.957: Der Atlas | Franz Schubert, Dietrich Fischer-Dieskau, Alfred Brendel | E Major | 0 | 12B | 108 BPM | ||
| Двенадцать вальсов, семнадцать лендлеров и девять экосезов, соч. 18, D. 145: No. 3 ля минор | Франц Шуберт, Вера Горностаева | C Major | 4 | 8B | 173 BPM |