"Ancient Letters: I. Tiger Cub" by Elena Kats-Chernin, Tamara Anna Cislowska, Johannes Fritzsch, Tasmanian Symphony Orchestra had its release date on August 22, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 13 in Elena Kats-Chernin: Ancient Letters by Elena Kats-Chernin, Tamara Anna Cislowska. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Ancient Letters: I. Tiger Cub is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ancient Letters: I. Tiger Cub by Elena Kats-Chernin, Tamara Anna Cislowska, Johannes Fritzsch, Tasmanian Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Schwanengesang, D. 957, Book 1: No. 4, Ständchen (Arr. for Cello & Piano) | Franz Schubert, Alexander Hülshoff, Andreas Frolich | C Major | 1 | 8B | 87 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Wiegenlied, AV 41 | Richard Strauss, James Ehnes, Andrew Armstrong | D Major | 1 | 10B | 88 BPM | ||
| Continuum I | Jane Antonia Cornish, Decoda | F♯ Minor | 1 | 11A | 90 BPM | ||
| Spiegel im Spiegel (Arr. for Piano) | Arvo Pärt, Tamara Anna Cislowska | F Major | 0 | 7B | 99 BPM | ||
| Les Baricades Misterieuses | François Couperin, Evgenia Papadimas | B♭ Major | 0 | 6B | 73 BPM | ||
| Afterwards | Elena Kats-Chernin, Tamara Anna Cislowska | B♭ Major | 1 | 6B | 77 BPM | ||
| Blue Silence | Elena Kats-Chernin, Tamara Anna Cislowska | G Minor | 0 | 6A | 76 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| Oboe Concerto in D Minor S.Z799: 2. Adagio (Arr. Harle) | Alessandro Marcello, Jess Gillam, BBC Concert Orchestra, Richard Balcombe | C Minor | 1 | 5A | 71 BPM | ||
| Lumen Prime Aurore | Mary Finsterer, Melbourne Symphony Orchestra, Benjamin Northey | E Minor | 2 | 9A | 118 BPM | ||
| Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) | Christoph Willibald Gluck, Vilde Frang | D Minor | 0 | 7A | 164 BPM | ||
| Waltz in B Minor | Chad Lawson | B Minor | 0 | 10A | 73 BPM | ||
| Cello Sonata, Op. 46: II. Andante Sostenuto (Arr. for Violin and String Ensemble by Ellie Consta) | Louise Farrenc, Esther Abrami, Her Ensemble | D Major | 5 | 10B | 140 BPM | ||
| Nocturne No. 5 in B-Flat Major. Andantino | John Field, John O'Conor | D Minor | 3 | 7A | 156 BPM | ||
| Adagio (from Sonata for Solo Violin, BWV 1005) (Arr. Víkingur Ólafsson) - Grand Piano | Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | ||
| Dance of the Paper Umbrellas | Elena Kats-Chernin, Tamara Anna Cislowska | C Major | 2 | 8B | 132 BPM | ||
| Orfeo ed Euridice: Melody (Arr. G. Sgambati) | Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 73 BPM | ||
| Nocturne No. 3 in A Flat Major, H.26 | John Field, Elizabeth Joy Roe | A♭ Major | 0 | 4B | 73 BPM | ||
| Schubert: Schwanengesang, D. 957: No. 4, Ständchen | Franz Schubert, Anneleen Lenaerts, Dionysis Grammenos | C Minor | 0 | 5A | 131 BPM | ||
| From Jewish Life, B 54: 1. Prayer (Arr. B. Kanneh-Mason for Violin and Cello) | Ernest Bloch, Braimah Kanneh-Mason, Sheku Kanneh-Mason | F Minor | 1 | 4A | 96 BPM | ||
| Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
| Funeral Ikos | John Tavener, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | F Minor | 1 | 4A | 77 BPM | ||
| Variation XI The Unknown of the Seine | Arash Safaian, Ludwig van Beethoven, Sebastian Knauer, Zürcher Kammerorchester | A Minor | 2 | 8A | 100 BPM |