On February 1, 1996, the song "Nainan Ke Baan Chala Daye Ree" was released by Deshraj Patairiya. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 6 in Daaru Pee Ke Aa Gaye Saiyan by Deshraj Patairiya. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Nainan Ke Baan Chala Daye Ree's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Nainan Ke Baan Chala Daye Ree by Deshraj Patairiya is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ajmal Ji Ra Kanwra | Murlidhar Paudwal | A Major | 7 | 11B | 93 BPM | ||
| Kalka Maa Tere Mandir Ka Ajab Nazara | Deshpal Milakh | A♭ Major | 9 | 4B | 154 BPM | ||
| Kaikai Ne Bole Bol Bharat Ke Suntan Bundeli | Deshraj Patairiya, Savita Yadav, Geeta Raj | F♯ Major | 5 | 2B | 82 BPM | ||
| Har Ganga Har Gopal Hari Vachan Suno Bundeli Geet | Deshraj Patairiya, Kamla Rajput | D♭ Major | 8 | 3B | 128 BPM | ||
| Ghumar Ghumar Ran Garaje | Yuvraj Pandey | F Minor | 10 | 4A | 90 BPM | ||
| Eso Datar Me Suniyo | Rajkumar Swami | A Minor | 7 | 8A | 106 BPM | ||
| Bahut Ho Gaya Ab Sambhalo Kanhaiya | Sanjay Mittal | C Minor | 6 | 5A | 80 BPM | ||
| Jo Khahogi Wahi Shaym Kar Jayega | Poonam Shastri Ji | D♭ Major | 9 | 3B | 134 BPM | ||
| guga ji ki paidi | Ashu Verma | E♭ Major | 6 | 5B | 103 BPM | ||
| Chimta Nath Ka | Mukesh Sharma | A♭ Major | 9 | 4B | 99 BPM | ||
| Ab Meri Bhan Pavansut Tuti | Surjan chaitanya | A♭ Minor | 6 | 1A | 121 BPM | ||
| सन्त भजनानंद जी गुरुवाणी सत्संग भजन | Sant Bhajana Nand | A♭ Minor | 7 | 1A | 101 BPM | ||
| Kalsh Me Kala | Nimbaram Dewasi Party | A Major | 5 | 11B | 85 BPM | ||
| Mehndipur Ke Mandir | Narender Kaushik | F Major | 8 | 7B | 131 BPM | ||
| Mujhe Aisi Lagan Tu Laga De | Devki Nandan Thakur Ji Maharaj | E♭ Major | 6 | 5B | 75 BPM | ||
| Gaji Silak Ki Saree Layde | Brijesh Shastri | D♭ Major | 6 | 3B | 97 BPM | ||
| Rate Na Rahi Ab Na Rahe Din Wo Hamare | Sadhvi Purnima Ji | E♭ Major | 7 | 5B | 90 BPM | ||
| Jagat Me Swarth ka Vyavhar (Malkaus) | NARAYANSWAMI | F Minor | 5 | 4A | 99 BPM | ||
| Utho Gori Magre Pe Bol Gayo Kauwa Bundeli | Deshraj Patairiya | D♭ Major | 7 | 3B | 138 BPM | ||
| Kue Pe Lugaiya Dhore | Tarun Baliyan | E♭ Major | 9 | 5B | 139 BPM | ||
| Kaise Dhudhu Mai Raghuvar Pata Aapka | Dhiraj Kant | E♭ Minor | 8 | 2A | 149 BPM | ||
| Yo Pandav Kul Avtaar - Shubham Rupam | Shubham Rupam | A Minor | 5 | 8A | 133 BPM | ||
| Rakho Maan Hamaro Maa Durga | Brijesh Kumar Shastri | B Major | 9 | 1B | 134 BPM | ||
| Manne Ho Gaya Tere Se Pyar | Tarun Baliyan | G Major | 9 | 9B | 80 BPM | ||
| Ram Se Lagi Dori shyam Bundeli Ram Bhajan | Chandra Bhushan Pathak | F♯ Major | 6 | 2B | 148 BPM |