Raghu Rana Thadiya's ' "Pankh Hote To Ud Aati Bansa O Balma" was released on its scheduled release date, September 11, 2025. This song is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. Since Pankh Hote To Ud Aati Bansa O Balma only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. In terms of popularity, Pankh Hote To Ud Aati Bansa O Balma is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pankh Hote To Ud Aati Bansa O Balma by Raghu Rana Thadiya having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gadi Lyayo Thaar | Sunil Bhati, Sonu Kanwar | F♯ Major | 9 | 2B | 95 BPM | ||
| Jekar Raja Rangbaaz | Deepak Tiwari, Mukul Singh | D♭ Major | 6 | 3B | 160 BPM | ||
| Nathdi | Beejal Khan | B♭ Major | 7 | 6B | 115 BPM | ||
| Birosa Sasriye Me Ubhi Jou Bat Ghani | Raghu Rana Thadiya | G Major | 5 | 9B | 100 BPM | ||
| Ja Ae Kaga Kahiha Tu Sajan Se | Pankaj Matalbi Yadav | B♭ Minor | 8 | 3A | 81 BPM | ||
| Chand Sitaro Me | Pankaj Matalbi Yadav, Srishti Bharti | C Minor | 10 | 5A | 165 BPM | ||
| Mhara Piyaji Base Pradesh | Mumal Marwadi, Raghu Rana Thadiya | F Major | 6 | 7B | 75 BPM | ||
| Prdeshi Balam | Champe Khan | E Minor | 9 | 9A | 80 BPM | ||
| Madwa Pe Chumave Hote Re | Aashish Yadav, Pappu Bhai | B Major | 7 | 1B | 120 BPM | ||
| Dholiye Baldo Ri Jodi Fagan | Sarita Kharwal | D♭ Major | 6 | 3B | 160 BPM | ||
| Hamra Se Man Bhar Gail Baa | Vinay Tiwari | F♯ Major | 8 | 2B | 77 BPM | ||
| Juda Thai Ne Jivvu Padyu | Kishan Raval, Darshan Baazigar | C Major | 7 | 8B | 142 BPM | ||
| Ashapura Mataji Bhajan | Sarita Kharwal | D♭ Minor | 9 | 12A | 100 BPM | ||
| TT Kyu Bulave Re | Geeta Goswami, AK Lunsara | D♭ Minor | 8 | 12A | 95 BPM | ||
| Sukraat | Sunil Rana Hiyunri | B Major | 8 | 1B | 112 BPM | ||
| Jiv Ri Jadi | Prakash Dewasi, Sita Mali | F♯ Major | 9 | 2B | 120 BPM | ||
| Chhori Tirasi Tirasi Najara Mat Dekh | Mohan Saran, Raveena Choudhary | B Major | 9 | 1B | 90 BPM | ||
| Pyari Lage Chunadi Majisa | Shyam Paliwal | G Minor | 8 | 6A | 74 BPM | ||
| Reply Let Aawta | Vinay Tiwari | D♭ Major | 6 | 3B | 160 BPM | ||
| Songara Sirdar Momaji | Sarita Kharwal | D♭ Major | 6 | 3B | 160 BPM | ||
| Dilwa Tutal Ba Hale Ke | Vinay Tiwari | F♯ Minor | 8 | 11A | 116 BPM | ||
| Bihar Sarkar | Raushan Rohi, Srishti Bharti | G Major | 10 | 9B | 120 BPM | ||
| Punmal Bhadke Re Loksangeet | Bijal Khan | E♭ Major | 9 | 5B | 78 BPM | ||
| Tata Sa Pata Da | Karan Khan | C Minor | 9 | 5A | 58 BPM | ||
| Tharo Moliyo Moti Rove | Sangeeta Mali | B Major | 9 | 1B | 84 BPM |