Mary Martin, Jule Styne, Kurt Weill, Louis Adrian, Mark "Moose" Charlap, Winter Garden Theatre Orchestra's 'Prologue' had a release date set for January 26, 1954. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Singing From Never Never Land". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Prologue is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Prologue by Mary Martin, Jule Styne, Kurt Weill, Louis Adrian, Mark "Moose" Charlap, Winter Garden Theatre Orchestra having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Together With Music | Noel Coward, Mary Martin | A♭ Major | 5 | 4B | 100 BPM | ||
| Could I Leave You? | Alexis Smith | F Major | 2 | 7B | 103 BPM | ||
| To Life | Zero Mostel, Michael Granger, Rose Gifford, Fiddler on the Roof Ensemble | F Minor | 5 | 4A | 136 BPM | ||
| Consider Yourself | Michael Goodman, Bruce Prochnik, Oliver! Ensemble | C Major | 2 | 8B | 136 BPM | ||
| Love I Hear | Brian Davies | G Major | 1 | 9B | 171 BPM | ||
| Johnny One-Note | Gregg Edelman, Judy Blazer | E♭ Major | 4 | 5B | 113 BPM | ||
| Shakin' The Blues Away | Ann Miller, The Mel-Tones, The Lyttle Sisters | A♭ Major | 2 | 4B | 97 BPM | ||
| Bye Bye Birdie - Original Broadway Cast: How Lovely to Be a Woman | Charles Strouse, Susan Watson, Original Broadway Cast of Bye Bye Birdie, Elliot Lawrence | G Major | 1 | 9B | 144 BPM | ||
| All I Need is the Girl | Tulsa and Louise | C Major | 3 | 8B | 83 BPM | ||
| Ragtime | Nicholas Rose, Ragtime Ensemble (1996) | B♭ Major | 2 | 6B | 114 BPM | ||
| Been A Long Day | Mary Faber, Rose Hemingway, Daniel Radcliffe | E♭ Major | 2 | 5B | 128 BPM | ||
| I'm Flying - Stage Version | Cathy Rigby, Elisa Sagardia, Lee Honey-Jones | A Major | 5 | 11B | 136 BPM | ||
| Bye Bye Birdie - Original Broadway Cast: What Did I Ever See in Him | Charles Strouse, Chita Rivera, Susan Watson, Original Broadway Cast of Bye Bye Birdie, Elliot Lawrence | B♭ Major | 5 | 6B | 166 BPM | ||
| We Open in Venice - Extended Version | Kathryn Grayson, Howard Keel, Ann Miller, Tommy Rall | A♭ Major | 5 | 4B | 123 BPM | ||
| Ohio | Rosalind Russell | D♭ Major | 1 | 3B | 167 BPM | ||
| I Put My Hand In | Carol Channing, Hello, Dolly! Ensemble, Shepard Coleman | E♭ Major | 2 | 5B | 119 BPM | ||
| It Takes A Woman | Jerry Herman, Walter Matthau | F Major | 3 | 7B | 110 BPM | ||
| This Plum Is Too Ripe | Hugh Thomas, Rita Gardner, William Larsen, Kenneth Nelson | F Major | 4 | 7B | 71 BPM | ||
| South Pacific - Original Broadway Cast Recording: A Cockeyed Optimist - Voice | Richard Rodgers, Mary Martin, South Pacific Original Broadway Cast, Salvatore Dell'Isola | E♭ Major | 1 | 5B | 104 BPM | ||
| Tarantella | Mary Martin, Trude Rittman, Louis Adrian, Winter Garden Theatre Orchestra | D♭ Major | 1 | 3B | 133 BPM | ||
| How Lovely to Be a Woman | Ann-Margret | B Major | 3 | 1B | 78 BPM | ||
| With So Little to Be Sure Of | Lee Remick, Harry Guardino, Original Broadway Cast of Anyone Can Whistle | A Minor | 2 | 8A | 92 BPM | ||
| It Only Happens When I Dance With You | Fred Astaire | B♭ Major | 2 | 6B | 61 BPM | ||
| Honey Bun | Nellie Forbush | B♭ Major | 2 | 6B | 177 BPM | ||
| Finale: I've Gotta Crow / Tender Shepherd / I Won't Grow Up / Never Never L | Mark "Moose" Charlap, Louis Adrian, Winter Garden Theatre Orchestra, Jule Styne, Mary Martin, Margalo Gillmore, Heller Halliday, Robert Harrington, Kathy Nolan, Cyril Ritchard | A♭ Major | 1 | 4B | 110 BPM |