Aaron Lewis's ' "Sunday Every Saturday Night" was released on its scheduled release date, September 16, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Sinner". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Sunday Every Saturday Night's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Sunday Every Saturday Night by Aaron Lewis having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Trash in My Trailer | Colt Ford | C Major | 6 | 8B | 120 BPM | ||
| Too Late Now to Give a Damn | Creed Fisher Archive | C Major | 3 | 8B | 114 BPM | ||
| Outlaw Run | Frank Foster | A Major | 4 | 11B | 134 BPM | ||
| The Nashville I Know | Kid Rock | D Major | 7 | 10B | 115 BPM | ||
| Old Violin | Daryle Singletary | F♯ Major | 6 | 2B | 80 BPM | ||
| More Than Survival | Alex Williams | D♭ Major | 9 | 3B | 162 BPM | ||
| Full Time Loser | Jesse Howard | A♭ Minor | 3 | 1A | 116 BPM | ||
| Between Jennings And Jones | Jamey Johnson | D Major | 6 | 10B | 147 BPM | ||
| When You Come to Take Mine | Creed Fisher | G Major | 8 | 9B | 138 BPM | ||
| Drink, Smoke, Cuss & Fight | Creed Fisher Archive | A Major | 8 | 11B | 132 BPM | ||
| Jedd Black | John D. Hale Band | G Major | 3 | 9B | 82 BPM | ||
| Whistle Dixie | Darryl Worley | G Major | 6 | 9B | 95 BPM | ||
| Vicious Circles | Aaron Lewis | B Major | 5 | 1B | 122 BPM | ||
| Boots on a Dance Floor | Jon Wolfe | B Major | 8 | 1B | 134 BPM | ||
| This Cowboy's Hat | Chris LeDoux | F♯ Minor | 3 | 11A | 90 BPM | ||
| Self Made Man | Montgomery Gentry | G Major | 5 | 9B | 78 BPM | ||
| Coal Keeps the Lights On | Jimmy Rose | A♭ Major | 4 | 4B | 117 BPM | ||
| Dogs and Duck Calls | Walt Gabbard | F Major | 3 | 7B | 102 BPM | ||
| Rainbow Man | Jeff Bates | D♭ Major | 5 | 3B | 79 BPM | ||
| What Matters Most | Craig Morgan | C Major | 5 | 8B | 72 BPM | ||
| Bury Me In Dixie | Riley Green | D♭ Major | 2 | 3B | 83 BPM | ||
| Kill Me Like You Love Me | Aaron Lewis | B Minor | 9 | 10A | 136 BPM | ||
| Don't Go | Zach Dylan | D Major | 6 | 10B | 140 BPM | ||
| Again | Aaron Lewis | G Major | 6 | 9B | 111 BPM | ||
| Seven Spanish Angels | Stoney LaRue | E Major | 5 | 12B | 140 BPM |