"Orion" by Luca Francini had its release date on January 28, 2019. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "New Worlds". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, Orion is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Orion by Luca Francini having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dark Mind | Luca Francini | F Minor | 3 | 4A | 76 BPM | ||
| Lost Colony End Credits | Gareth Coker | B♭ Minor | 0 | 3A | 75 BPM | ||
| Gracias | Falsas Alarmas | D Minor | 1 | 7A | 75 BPM | ||
| Mystic Daydream | SAD PHONK | F Minor | 2 | 4A | 65 BPM | ||
| Phone Call | Clinton Shorter | D Minor | 1 | 7A | 126 BPM | ||
| winter solitude | ruzuyu | B♭ Minor | 0 | 3A | 75 BPM | ||
| A New Dawn | When We Were Gods, Azam Ali, Loga Ramin Torkian | A Minor | 2 | 8A | 131 BPM | ||
| Study Music for Better Focus | Greenred Productions | A Minor | 1 | 8A | 140 BPM | ||
| Behind the Moon | Hampus Naeselius | B Major | 2 | 1B | 66 BPM | ||
| Earth Can Wait | Philip Ayers | G Minor | 3 | 6A | 88 BPM | ||
| Broken Promises | Ben Berkenbosch | B♭ Minor | 1 | 3A | 110 BPM | ||
| In the Forest Mist | Shaman Voices | C Major | 1 | 8B | 97 BPM | ||
| Eternal Recluse | Kyle Preston | A Minor | 2 | 8A | 91 BPM | ||
| Held | Hannah Parrott | F Major | 1 | 7B | 69 BPM | ||
| Wind Rises | Aisha Vaughan | E Major | 1 | 12B | 80 BPM | ||
| Vueltas A Las Andadas | Hasta El Final | A♭ Minor | 1 | 1A | 73 BPM | ||
| There Must Be a Way Out of Here | Bonnie Grace | E Minor | 0 | 9A | 63 BPM | ||
| Child of the Wind | Spheria, Anita Tatlow | G Minor | 3 | 6A | 66 BPM | ||
| Set Before Us | David A. Molina | D Major | 3 | 10B | 68 BPM | ||
| Epic Emotional Choir | Allen Grey | G Minor | 6 | 6A | 80 BPM | ||
| Dream Sequence | Cody Martin | B♭ Minor | 0 | 3A | 75 BPM | ||
| Ex Nihilo Nihil | Fabrizio Brugnera, Davide Fasiello | B♭ Minor | 0 | 3A | 75 BPM | ||
| Deep Rest Field | Somnera | B♭ Minor | 0 | 3A | 120 BPM | ||
| Aero Atlantis | Athena IV | B♭ Minor | 0 | 3A | 75 BPM | ||
| Forest of the Druids | Mists of Serenity | A Minor | 4 | 8A | 144 BPM |