Karl Berger, Mark Feldman's 'Loverman' had a release date set for October 1, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 12 in Conversations by Karl Berger. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Loverman is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Loverman by Karl Berger, Mark Feldman is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fountain | Tom Harrell | F Major | 3 | 7B | 116 BPM | ||
| Rufus | Ron Carter | A♭ Major | 2 | 4B | 92 BPM | ||
| In My Mind's Eye | John Lindberg, Karl Berger | A Major | 1 | 11B | 110 BPM | ||
| Life Happens | William Goldstein, Karl Berger | D♭ Major | 1 | 3B | 69 BPM | ||
| Intrude | Gary Burton Quintet | A♭ Major | 6 | 4B | 100 BPM | ||
| Paz | Vladimir Torres | B Minor | 6 | 10A | 72 BPM | ||
| Slaraffenland | Jakob Bro, Arve Henriksen, Jorge Rossy | G Major | 0 | 9B | 88 BPM | ||
| IV (Suspended Variations) | Tomasz Stanko Quartet | F Minor | 1 | 4A | 147 BPM | ||
| A.I.R. | Jan Garbarek, Bobo Stenson Quartet | D Major | 3 | 10B | 152 BPM | ||
| Choose Piano / Bass | Karl Berger & Friends, Karl Berger, Peter Apfelbaum, Peter Einhorn, Frank Möbus, John Lindberg, Tani Tabbel, Ray Spiegel, AnneMarie Roelofs, Ingrid Sertso | A Major | 0 | 11B | 110 BPM | ||
| Dancing in Twilight | Mia Brentano, Benyamin Nuss, Andy Miles | E Minor | 1 | 9A | 88 BPM | ||
| Points and Parallels | Karl Berger, Dave Friedman, Tom van der Geld, Wolfgang Lackerschmid | G Major | 6 | 9B | 140 BPM | ||
| Will You Still Be Mine | Ron Carter | F Minor | 2 | 4A | 86 BPM | ||
| Byn i Staden | Förnuft och Känsla | C Major | 4 | 8B | 107 BPM | ||
| Debt | Karl Berger, Max Johnson, Billy Mintz | B♭ Minor | 1 | 3A | 145 BPM | ||
| Presently | Karl Berger, Max Johnson, Billy Mintz | G Major | 3 | 9B | 110 BPM | ||
| Street World | Karl Berger & Friends, Karl Berger, Peter Apfelbaum, Peter Einhorn, Frank Möbus, John Lindberg, Tani Tabbel, Ray Spiegel, AnneMarie Roelofs, Ingrid Sertso | A Major | 0 | 11B | 110 BPM | ||
| Die Nachtigall | Bobo Stenson Trio | G Major | 2 | 9B | 96 BPM | ||
| foreword | Matthew Stevens, Walter Smith III, Joel Ross, Harish Raghavan, Marcus Gilmore | A♭ Minor | 0 | 1A | 130 BPM | ||
| It Should've Happened A Long Time Ago | Paul Motian Trio | F♯ Minor | 2 | 11A | 117 BPM | ||
| Lazy Summer | Karl Berger, Ingrid Sertso | A Minor | 0 | 8A | 123 BPM | ||
| Notis | Sylvain Le Roux, Karl Berger | D♭ Major | 1 | 3B | 69 BPM | ||
| Transformation | William Goldstein, Karl Berger | D♭ Major | 1 | 3B | 69 BPM | ||
| Faithful | Marcin Wasilewski, Slawomir Kurkiewicz, Michal Miskiewicz | F Major | 1 | 7B | 89 BPM | ||
| Ballade n° 2 | Martial Solal, Michel Portal | G Minor | 0 | 6A | 116 BPM |