Claire Martin, Jim Mullen's 'I Could Get Used to This (Bumpin')' had a release date set for February 15, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 11 in Bumpin' - Celebrating Wes Montgomery by Claire Martin, Jim Mullen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. The popularity of I Could Get Used to This (Bumpin') is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of I Could Get Used to This (Bumpin') by Claire Martin, Jim Mullen is Presto (very, very fast), since this song has a tempo of 184 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll Be Seeing You | Ellen Andersson | D♭ Major | 3 | 3B | 115 BPM | ||
| Angel Eyes | Jim Mullen, Ben Paterson, Jan Harbeck, Kristian Leth | F Minor | 3 | 4A | 125 BPM | ||
| Small Day Tomorrow | Janis Siegel | G Minor | 2 | 6A | 169 BPM | ||
| My Old Flame | Ruth Cameron | D♭ Major | 1 | 3B | 60 BPM | ||
| A Song for You | Claire Martin | G Major | 3 | 9B | 114 BPM | ||
| Sway | Bria Skonberg | A Minor | 3 | 8A | 94 BPM | ||
| You'll Never Be Lonely In Soho | Jo Harrop | B♭ Major | 2 | 6B | 174 BPM | ||
| You Turned the Tables on Me | Claire Martin, Kenny Barron | A Minor | 5 | 8A | 157 BPM | ||
| I Told You So | Duncan Lamont, Claire Martin, Martin Sjöstedt, Niklas Fernqvist, Daniel Fredriksson | F Minor | 1 | 4A | 131 BPM | ||
| Eternal Day | Romy Camerun, Henning Schmiedt, Zülfü Livaneli | A Major | 3 | 11B | 76 BPM | ||
| I Get Along Without You Very Well | Sara Gazarek | E♭ Major | 1 | 5B | 78 BPM | ||
| Route 66 | Carol Welsman | F Minor | 3 | 4A | 137 BPM | ||
| Pearls | Kandace Springs, Avishai Cohen | G Minor | 2 | 6A | 114 BPM | ||
| Mood | Tessa Souter | F♯ Minor | 2 | 11A | 150 BPM | ||
| I Want to Talk About You | Gabrielle Cavassa | C Major | 1 | 8B | 103 BPM | ||
| Summertime | Malene Mortensen | G Minor | 2 | 6A | 111 BPM | ||
| S Wonderful | Ann Hampton Callaway | G Major | 3 | 9B | 147 BPM | ||
| Henpecked Man | Mads Mathias | F♯ Major | 2 | 2B | 139 BPM | ||
| What You Won’t Do For Love | Indra Rios-Moore | F Minor | 1 | 4A | 135 BPM | ||
| I Wish You Love | Sarah McKenzie | C Major | 4 | 8B | 111 BPM | ||
| Girl from Ipanema | Malene Mortensen | F Major | 2 | 7B | 120 BPM | ||
| Midnight Sun | Viktoria Tolstoy | G Major | 2 | 9B | 119 BPM | ||
| Love Never Found | Zecay | G Minor | 1 | 6A | 83 BPM | ||
| All You Are | Karen Rosenberg | E♭ Major | 1 | 5B | 97 BPM | ||
| Living Thoughtfully | Monika Ryan | C Major | 2 | 8B | 132 BPM |