"Dear Irish Boy" by Lorient had its release date on November 16, 2012. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 20 in Celtic Melodies by Lorient. Dear Irish Boy is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Dear Irish Boy by Lorient is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Oak and the Ash | Mat Williams | E Minor | 2 | 9A | 168 BPM | ||
| The Goddess Within Me | Kagechiyo | C Minor | 1 | 5A | 56 BPM | ||
| Eleanór a Rún | Ava McMahon | B♭ Minor | 3 | 3A | 110 BPM | ||
| Myfanwy | Cerys Matthews | C Major | 1 | 8B | 132 BPM | ||
| Whispers on the Wind | Timeless Echoes of Middangeard | D Minor | 1 | 7A | 170 BPM | ||
| When Rosy May Comes in Wi' Flowers | Tony Cuffe | F Major | 3 | 7B | 108 BPM | ||
| When New York Was Irish | Celtic Thunder | B Major | 2 | 1B | 118 BPM | ||
| Guiding Light in the Deep | Eternal Fantasy Sounds | D Minor | 1 | 7A | 130 BPM | ||
| Down by the Sally Gardens | Maura O'Connell | G Major | 2 | 9B | 156 BPM | ||
| Hallowed Winds of Brambleton | Ekofola | E♭ Minor | 3 | 2A | 70 BPM | ||
| Craigieburn Wood | Emily Smith, Jamie McClennan | A♭ Major | 2 | 4B | 122 BPM | ||
| Siuil A Run | Reeltime | B Minor | 3 | 10A | 105 BPM | ||
| Coaineadh na dTri Muire | Cathie Ryan | B♭ Minor | 1 | 3A | 80 BPM | ||
| Wexford Lullaby | Jackie Oates | D♭ Major | 1 | 3B | 98 BPM | ||
| Lady Isabel and the Elf-Knight | Lisa Theriot | G Major | 4 | 9B | 119 BPM | ||
| When You Taught Me How To Dance | Maria Kesselman | A Major | 1 | 11B | 110 BPM | ||
| Never Be The Sun | Dolores Keane | C Major | 1 | 8B | 74 BPM | ||
| May the Road Rise to Meet You | Cathie Ryan | A Major | 1 | 11B | 118 BPM | ||
| The Poachers | Heather Dale | D Major | 4 | 10B | 202 BPM | ||
| The Ash Grove | Lorient | D Major | 3 | 10B | 95 BPM | ||
| In Aimsir Bhaint an Fheir (At Hay-Cutting Time) | Connie Dover | D Major | 5 | 10B | 120 BPM | ||
| A Mháire Bhruinneall | Susan McKeown | B Minor | 6 | 10A | 100 BPM | ||
| Johnny Has Gone For a Soldier | Diane Taraz | A Minor | 1 | 8A | 108 BPM | ||
| Come Home Pretty Bird | Emily Smith | F♯ Major | 1 | 2B | 120 BPM | ||
| Lift The Wings | Bill Whelan | A Major | 2 | 11B | 124 BPM |