- BPM
- 96
- Key
- B♭ Major
- Camelot
- 6B
シューベルト: アヴェ・マリア by Franz Schubert, Chisako Takashima Song Details
"シューベルト: アヴェ・マリア" by Franz Schubert, Chisako Takashima had its release date on September 4, 2013. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. シューベルト: アヴェ・マリア's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ロマンティック・メロディーズ 〜マイ・ベスト・クラシックス, so we believe that "シューベルト: アヴェ・マリア" is a single. In terms of popularity, シューベルト: アヴェ・マリア is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of シューベルト: アヴェ・マリア by Franz Schubert, Chisako Takashima is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 9%
- Loudness
- -13.79 dB
- Acousticness
- 97%
- Danceability
- 25%
- Energy
- 21%
- Instrumentalness
- 3%
- Liveness
- 16%
- Loudness
- 77%
- Speechiness
- 4%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto No. 3 in D Minor, Op. 30: 2. Intermezzo. Adagio - Live | Sergei Rachmaninoff, Martha Argerich, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly | A♭ Major | 1 | 4B | 84 BPM | |
 | Intermezzo in B-Flat Minor, Op. 117/2 | Johannes Brahms, Khatia Buniatishvili | D♭ Major | 0 | 3B | 67 BPM | |
 | Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | |
 | Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | |
 | 美しき水車小屋の娘 Op. 25, D. 795: 第11曲 僕のものだ！ | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | D Major | 2 | 10B | 91 BPM | |
 | Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | |
 | Violin Concerto in C Major, Hob. VIIa:1: II. Adagio | Joseph Haydn, Augustin Hadelich, Kolner Kammerorchester, Helmut Müller-Brühl | F Major | 1 | 7B | 61 BPM | |
 | Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | |
 | Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | |
 | 6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | |
 | Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | |
 | 2 Pieces, Op. Posth., B. 188: No. 1, Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | |
 | Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | |
 | Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 2. Adagio cantabile | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 179 BPM | |
 | Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | |
 | Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | |
 | Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Heather Schmidt | B Minor | 3 | 10A | 87 BPM | |
| Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | |
 | Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | |
 | Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | |
 | Recueil de Chants, Op. 65: No. 6, Barcarolle in G Minor | Charles-Valentin Alkan, Pascal Amoyel | G Minor | 0 | 6A | 112 BPM | |
 | Salut d'amour, Op. 12 | Edward Elgar, Daniel Lozakovich, Stanislav Soloviev | E Major | 1 | 12B | 88 BPM | |
 | Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Vladimir Horowitz | F Major | 0 | 7B | 114 BPM | |
 | Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM |
- ISRC
- JPCO01319220
- Label
- L-M Records/RCA Records