"ジミ・ヘンドリックス讃歌 op.52" by Shin-ichi Fukuda had its release date on 1997. This song appears to be safe for all ages as it is not explicit. There is only one song in ギタリスト伝説〜ジミ・ヘンドリックス讃歌, so we believe that "ジミ・ヘンドリックス讃歌 op.52" is a single. In terms of popularity, ジミ・ヘンドリックス讃歌 op.52 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ジミ・ヘンドリックス讃歌 op.52 by Shin-ichi Fukuda is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Confesión de la Llanura | Mirta Alvarez | G Minor | 0 | 6A | 138 BPM | ||
| カヴァティーナ | Stanley Myers, Shin-ichi Fukuda, Kiyoshi Shomura | E Major | 0 | 12B | 169 BPM | ||
| Angels in twilight | Shin-ichi Fukuda | E Minor | 0 | 9A | 128 BPM | ||
| Italian Coffee: No. 3, L'ultimo caffè insieme | Simone Iannarelli, Xuanxuan Sun | B Minor | 1 | 10A | 135 BPM | ||
| Norteña | Gómez Crespo, Göran Söllscher | E Minor | 0 | 9A | 132 BPM | ||
| 無伴奏チェロ組曲 第3番 BWV 1009 より プレリュード | Shin-ichi Fukuda | G Major | 1 | 9B | 78 BPM | ||
| 13 Catalan Folksongs: Lo fill del rey | Miguel Llobet Solés, Lorenzo Micheli | D Major | 0 | 10B | 97 BPM | ||
| ギターのためのソナチネより I. アレグレット | Lennox Berkeley, Shin-ichi Fukuda | D Major | 2 | 10B | 109 BPM | ||
| Carcassi Op.60 N.8 Moderato | Matteo Carcassi, Lucio Matarazzo | E Major | 3 | 12B | 171 BPM | ||
| 愛の歌〜《吟遊詩人の歌》 作品13より | ヨハン・カスパール・メルツ, Shin-ichi Fukuda | C Major | 0 | 8B | 64 BPM | ||
| コンポステラ組曲 / III. ゆりかご | Federico Mompou, 山下 和仁 | A Major | 3 | 11B | 86 BPM | ||
| Fantasia No. 7, Op. 30: Introduction - Lentement | Fernando Sor, Timo Korhonen | E Major | 0 | 12B | 93 BPM | ||
| Lauro: Romanza | Antonio Lauro, Sharon Isbin | D Major | 0 | 10B | 204 BPM | ||
| 無伴奏チェロ組曲第3番 BWV 1009より I. プレリュード | Johann Sebastian Bach, Shin-ichi Fukuda | G Major | 2 | 9B | 82 BPM | ||
| Sonatina: II. Andante | Federico Moreno Torroba, Franz Halász | A Major | 2 | 11B | 85 BPM | ||
| Kinderszenen, Op. 15 (Arr. for Guitar by Johan Smith): VII. Träumerei | Robert Schumann, Johan Smith | D Major | 0 | 10B | 137 BPM | ||
| Sonata, Op. 61: III. Allegro Vivo | Joaquín Turina, Shiri Coneh | G Minor | 2 | 6A | 114 BPM | ||
| Preludio BWV 1007 | J. S. Bach, Anabel Montesinos | D Major | 1 | 10B | 145 BPM | ||
| Suite Compostelana: I. Preludio | Federico Mompou, Antigoni Goni | G Major | 0 | 9B | 100 BPM | ||
| Around The Round Graund: II. Canticle | Shin-ichi Fukuda | G Major | 0 | 9B | 91 BPM | ||
| Plainte (Lamento) | Marco Pereira, Graham Anthony Devine | B♭ Major | 0 | 6B | 148 BPM | ||
| Aria à deux No. 2 | Francis Kleynjans, Duo Bergerac | E Minor | 1 | 9A | 119 BPM | ||
| Guitar Suite No. 1: III. Into a Clearing | Peter Scott Lewis | G Minor | 0 | 6A | 94 BPM | ||
| Fantasia Sobre "El Paño" O Sea "El Punto De La Habana" | María Esther Guzmán | E Minor | 1 | 9A | 75 BPM | ||
| Sulle ottave | Maurizio Baudino | E Major | 1 | 12B | 70 BPM |