Jose Galvan, Rafael Rodriguez, Arcángel's 'Letra 3 - Corte' had a release date set for 2008. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Solo Compas "Tientos"". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Spain. Based on our statistics, Letra 3 - Corte's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Letra 3 - Corte by Jose Galvan, Rafael Rodriguez, Arcángel having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bulerías (Medio) - Compás de Estudio | Nasrine Rahmani | B♭ Minor | 3 | 3A | 170 BPM | ||
| Tangos Extremeños | Miguel de Tena, Francisco Pinto | F Minor | 5 | 4A | 81 BPM | ||
| Rosa Tardia | Marina Heredia | A♭ Minor | 7 | 1A | 113 BPM | ||
| Caña | Fosforito | C Major | 2 | 8B | 117 BPM | ||
| Como terreno de tosca - Fandangos de el cerro de Andévalo | El Cabrero | E♭ Major | 6 | 5B | 150 BPM | ||
| El Caminar | Paco Toronjo | G Major | 3 | 9B | 64 BPM | ||
| Bulerías antiguas - Remastered | Niño de las Cabezas, Juan el Africano | F♯ Major | 2 | 2B | 83 BPM | ||
| Zorongo: Cante, Guitarra y Compás | El Trini, Victor M. Rosa, Rafael García, Mariló García, Lurdes García | A♭ Minor | 5 | 1A | 146 BPM | ||
| Nadie Quiere a los Gitanos: Soleares - Remastered 2017 | Jarrito, Paco Aguilera, Juan Carmona | D Minor | 9 | 7A | 129 BPM | ||
| Coje La Senda - Tangos De Granada | Juan Habichuela | G Minor | 4 | 6A | 141 BPM | ||
| Fiesta Gitana por Bulerías | Maria La Canastera | F Minor | 6 | 4A | 141 BPM | ||
| Toitas las Mujeres Llevan (feat. Juan Salazar, Porrina Hijo & Antonio Arenas) - Fandangos de Huelva | Porrina de Badajoz, Juan Salazar, Porrina Hijo, Antonio Arenas | E♭ Minor | 4 | 2A | 84 BPM | ||
| Calle Real | Diego Amador | B Minor | 5 | 10A | 144 BPM | ||
| Dos Penas | Perlita de Huelva | E♭ Minor | 7 | 2A | 119 BPM | ||
| Gitanita Canastera | Paquiro | D♭ Minor | 7 | 12A | 106 BPM | ||
| Mi Perra Valiente | Paco Toronjo | F Minor | 4 | 4A | 146 BPM | ||
| Detén la Mano Imprudente - Remastered | Pepe el Culata | B♭ Major | 2 | 6B | 184 BPM | ||
| Retablo de Andalucía, Parte 4 | Manolo Vargas, Manolo el Sevillano | E♭ Major | 8 | 5B | 130 BPM | ||
| Bulerías | Jose Galvan | B Major | 5 | 1B | 118 BPM | ||
| El Pozo Donde Caí (Fandangos de Huelva) [with. Antonio Arenas] | Jacinto Almaden, Antonio Arenas | C Minor | 3 | 5A | 106 BPM | ||
| Con un pañuelo de seda | Jesús Méndez | D♭ Major | 5 | 3B | 115 BPM | ||
| Por Culpa de una Mujer (with Niño Ricardo) | El Sevillano, Niño Ricardo | C Major | 4 | 8B | 140 BPM | ||
| Tarantos Sin Zapateado | Carmen Gamero, Juan María Real, Jeromo Segura, Manuel Salado | D♭ Major | 5 | 3B | 99 BPM | ||
| Alegrías: Escobilla 1ª Parte | Juan María Real, Manuel Salado | D♭ Major | 5 | 3B | 99 BPM | ||
| Sevilla es de Chocolate - Tangos | Juana La del Revuelo | F Minor | 7 | 4A | 89 BPM |