The Modulations, James Cleveland's ' "Had It Not Been For Him" was released on its scheduled release date, June 28, 1978. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Had It Not Been For Him's duration is considered a little bit shorter than the average duration of a typical track. This song is part of With A Made Up Mind by The Modulations. The song's track number on the album is #5 out of 9 tracks. In terms of popularity, Had It Not Been For Him is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Had It Not Been For Him by The Modulations, James Cleveland has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Had It Not Been For Him being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sweet Tomorrow | Major Harris | B Minor | 6 | 10A | 112 BPM | ||
| It Ain't No Big Thing (2012 - Remaster) | Donna Mcghee | F Minor | 7 | 4A | 98 BPM | ||
| More Love | Foster Sylvers | D Minor | 6 | 7A | 97 BPM | ||
| I Wanna Be with You | Winfield Parker | C Major | 7 | 8B | 117 BPM | ||
| Come Fly With Me | Greg Perry | A♭ Minor | 4 | 1A | 76 BPM | ||
| I Have No Choice | Black Nasty | F Major | 4 | 7B | 174 BPM | ||
| Gimme Some (Good Soul Music) | The Dramatics | A Major | 7 | 11B | 94 BPM | ||
| How Long | Debra Laws | B Major | 7 | 1B | 177 BPM | ||
| You Gave Me a Brand New Start | William DeVaughn | G Major | 8 | 9B | 121 BPM | ||
| One-Way Love Affair | Marc Sadane | G Major | 6 | 9B | 124 BPM | ||
| Touching In The Dark | Walter Jackson | G Major | 6 | 9B | 107 BPM | ||
| After Hours | J.R. Bailey | C Minor | 7 | 5A | 174 BPM | ||
| I Get My Groove From You | Bobby Patterson | G Major | 6 | 9B | 83 BPM | ||
| Sweet Love | Samuel Jonathan Johnson | A♭ Major | 8 | 4B | 112 BPM | ||
| Tin Man | John Edwards | G Major | 8 | 9B | 94 BPM | ||
| Midnight Sunshine | The Soul Children | F♯ Major | 6 | 2B | 161 BPM | ||
| It's Critical | Billy Paul | C Minor | 8 | 5A | 105 BPM | ||
| It's Cool | Walter Jackson | G Minor | 6 | 6A | 80 BPM | ||
| All Because of You | Leroy Hutson | B Minor | 7 | 10A | 87 BPM | ||
| I Don't Really Care | L. V. Johnson | C Major | 7 | 8B | 79 BPM | ||
| Mr. Me, Mrs. You | The Ebonys | C Minor | 5 | 5A | 198 BPM | ||
| Sittin' in the Park | Bobby Thurston | G Major | 7 | 9B | 161 BPM | ||
| Color One Tear Black, Pt. 2 | Double O's Demingo's | D Major | 9 | 10B | 87 BPM | ||
| Heaven Right Here on Earth | The Natural Four | G Major | 5 | 9B | 153 BPM | ||
| I Like the Way You Do Your Thing | Little Beaver | C Major | 7 | 8B | 92 BPM |