Rushi Pandya's ' "Mandiram Swaminarayan Mandiram" was released on its scheduled release date, October 22, 2022. This song appears to be safe for all ages as it is not explicit. The track order of this song in Shankar Prajapati, Ravi Vyas's "Gadhpur Mahima Swaminarayan Kirtan" album is number 3 out of 3. On top of that, India appears to be the country where this track was created. Based on our statistics, Mandiram Swaminarayan Mandiram's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Mandiram Swaminarayan Mandiram by Rushi Pandya to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jalathal Nabh | Samir Date, Dipalee Date | F Minor | 6 | 4A | 86 BPM | ||
| Tu Kali Ne Kaliyani Re Maa | Kanu Patel | D Major | 7 | 10B | 127 BPM | ||
| Jana Re Sai Ki Shirdi Jana | Paras Jain | F♯ Major | 8 | 2B | 90 BPM | ||
| Amrut Mahotsav Song | Rushi Pandya, Maulik Gajjar | E♭ Major | 6 | 5B | 100 BPM | ||
| Radha Bole Madhav Ne | Kavya Limaye | F Major | 5 | 7B | 78 BPM | ||
| Matki Pe Matki | Manish Tiwari | G Major | 6 | 9B | 75 BPM | ||
| Gadhpur Kavvali | Anmol Khatri | C Major | 7 | 8B | 114 BPM | ||
| Rang De Maiya Ki Chunariya | Shahnaaz Akhtar | F♯ Major | 6 | 2B | 80 BPM | ||
| Timli Dhamaka Part 3 | Rajal Barot, Bharat Pagi | B Major | 7 | 1B | 119 BPM | ||
| Muje Ek Laal Do | Chetna | D♭ Major | 4 | 3B | 148 BPM | ||
| Sahajanand Mero Sahajanand Swaminarayan Kirtan | Anmol Khatri, Rushi Pandya | B Minor | 4 | 10A | 114 BPM | ||
| Mere Sardhardham Ke lal | Rushi Pandya | C Major | 5 | 8B | 102 BPM | ||
| Hum Tere Shahar Mein Aaye Hai - Islamic | Neha Naaz | A♭ Minor | 7 | 1A | 158 BPM | ||
| Shant Swaroop Brahmakumaris | BK Asmita | D♭ Major | 4 | 3B | 106 BPM | ||
| Nache Nandlal | Devi Neha Saraswat | C Minor | 5 | 5A | 112 BPM | ||
| Un Ghar Jayaje Beran Nindra Ja Ghar Ram Naam Nahi Bhave | Anil Nagori | A♭ Major | 8 | 4B | 80 BPM | ||
| Tor Tan Ma | Dukalu Yadav | E♭ Minor | 10 | 2A | 187 BPM | ||
| Baikunth Wala Brij Wala Ho Gaya | Devi Chitralekhaji | D♭ Minor | 6 | 12A | 129 BPM | ||
| Narmada Maiyya Ho | K.N. Singh Portey, Rashmi Portey | F Major | 8 | 7B | 134 BPM | ||
| Braj Me Ratan Radhika Gori | Pujya Shri Ji Maharaj | Indresh Ji Maharaj Bhajan | Pujya Shri Indresh Ji Maharaj | E♭ Minor | 8 | 2A | 118 BPM | ||
| Ghanshyamji Tum More Piya | Rushi Pandya | A♭ Minor | 6 | 1A | 90 BPM | ||
| Oh Sanware Sabse Bado Tero Naam | Devki Nandan Thakur Ji Maharaj | E♭ Major | 6 | 5B | 75 BPM | ||
| Aavyo Suvaran Utasav | Rushi Pandya, Narayan Thakar | F Major | 10 | 7B | 130 BPM | ||
| Aaya Faganiyoo | Vivek Sharma | B♭ Major | 8 | 6B | 118 BPM | ||
| Haar Ke Main Aaya Hoon | Sanjeev Sharma | E♭ Major | 2 | 5B | 135 BPM |