"Transpersonal" by Peter Michael Hamel had its release date on January 1, 1983. This song appears to be safe for all ages as it is not explicit. The track order of this song in Peter Michael Hamel's "Hamel, P.M.: Transition" album is number 2 out of 5. On top of that, Germany appears to be the country where this track was created. Transpersonal is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Transpersonal by Peter Michael Hamel to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crystal Waves I | David Casper | F♯ Major | 0 | 2B | 68 BPM | ||
| ザ・ミラージュ | Yoshio Chin Suzuki | A♭ Minor | 0 | 1A | 64 BPM | ||
| Höre, der du wagst | Popol Vuh | E Minor | 0 | 9A | 86 BPM | ||
| Para Que Pasen Las Termitas | Orquesta de las Nubes | B Minor | 1 | 10A | 93 BPM | ||
| See The Light (Abridged) | Fumio Miyashita | D Major | 0 | 10B | 149 BPM | ||
| Suite Pour L'invisible | Ana Roxanne | D Major | 1 | 10B | 177 BPM | ||
| MEINE REFLEXION | INOYAMALAND | B Minor | 3 | 10A | 145 BPM | ||
| The Plateaux Of Mirror - Remastered 2004 | Harold Budd, Brian Eno | A♭ Minor | 0 | 1A | 91 BPM | ||
| Roots and Branches | E Ruscha V | G Major | 3 | 9B | 120 BPM | ||
| Slow Sky | Yutaka Hirose | B Major | 1 | 1B | 141 BPM | ||
| The Hostess | E Ruscha V | E Major | 3 | 12B | 132 BPM | ||
| Unfamiliar Wind (Leeks Hills) - Remastered 2004 | Brian Eno | F Minor | 0 | 4A | 122 BPM | ||
| Quiet Space Pt.2 | Jonathan Goldman, Laraaji | D♭ Major | 0 | 3B | 73 BPM | ||
| Loch and Key | Wilson Tanner | D Major | 1 | 10B | 200 BPM | ||
| Gloaming | Ernest Hood | D♭ Major | 4 | 3B | 129 BPM | ||
| Focusing Within | JD Emmanuel | F Major | 1 | 7B | 78 BPM | ||
| A Dream Sails out to Sea Scene 3:Breath of Blue Water - Remastered | Takashi Kokubo | C Major | 0 | 8B | 83 BPM | ||
| In Motion | Ann Annie | E Major | 1 | 12B | 87 BPM | ||
| ミート・ミー・イン・ザ・シープ・メドウ | Yoshio Chin Suzuki | G Minor | 0 | 6A | 75 BPM | ||
| Hula Om | Raul Lovisoni, Francesco Messina | G Minor | 1 | 6A | 114 BPM | ||
| Widows Charm | Harold Budd | A Major | 0 | 11B | 173 BPM | ||
| Reflecting Light | Suzanne Doucet | G Minor | 5 | 6A | 77 BPM | ||
| Let It Play, Pt. 1 | Peter Michael Hamel, Kai Schumacher | C Major | 3 | 8B | 123 BPM | ||
| Street Polyphony | Stan Le Prevost | C Major | 0 | 8B | 90 BPM | ||
| Star Gazing | Emily A. Sprague | C Major | 1 | 8B | 120 BPM |