Charles Aznavour's 'How Sad Venice Can Be - Que c'est triste Venise / English Version 2' had a release date set for June 28, 2024. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. How Sad Venice Can Be - Que c'est triste Venise / English Version 2's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Unpublished Songs In English". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. Based on our statistics, How Sad Venice Can Be - Que c'est triste Venise / English Version 2's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With How Sad Venice Can Be - Que c'est triste Venise / English Version 2 by Charles Aznavour having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Je pense à toi | Michel Delpech | A♭ Major | 3 | 4B | 124 BPM | ||
| Amor mi corazón | Ghassan Yammine | A Minor | 3 | 8A | 91 BPM | ||
| Je n'ai pas vu le temps passer | Paul Anka, Charles Aznavour | C Major | 5 | 8B | 79 BPM | ||
| Los Días Felices - Les jours heureux / Spanish Version | Charles Aznavour | C Minor | 5 | 5A | 162 BPM | ||
| Never Never Never/ Grande Grande Grande | Dana Winner | G Major | 4 | 9B | 94 BPM | ||
| T'aggio perduta | Peppino Gagliardi | G Minor | 7 | 6A | 140 BPM | ||
| Where Do I Begin? (Theme from "Love Story") | Barry Manilow | G Minor | 4 | 6A | 81 BPM | ||
| Si L'amour Existe Encore | Jean-François Michaël | B Minor | 6 | 10A | 111 BPM | ||
| Sorrow | Mort Shuman | C Major | 8 | 8B | 162 BPM | ||
| You've Let Yourself Go - Tu t'laisses aller / English Version 4 - Nouvelle piste voix | Charles Aznavour | E Major | 4 | 12B | 96 BPM | ||
| Il est mort le soleil | Nicoletta | E Minor | 6 | 9A | 140 BPM | ||
| Au long des jours | Mouloudji | C Minor | 2 | 5A | 74 BPM | ||
| Yo te quiero siempre | Pink Martini, Ari Shapiro | F Major | 2 | 7B | 93 BPM | ||
| Never, Never, Never (Grande, Grande, Grande) | Shirley Bassey | G Major | 4 | 9B | 97 BPM | ||
| Dieciseis Años | Julio Iglesias Experience | G Major | 3 | 9B | 149 BPM | ||
| After All Is Said And Done | Robert Goulet | G Minor | 4 | 6A | 100 BPM | ||
| Chanson pour l'auvergnat | Georges Brassens | B Minor | 1 | 10A | 201 BPM | ||
| Torna a Surriento (Come Back to Sorrento) | Mario Lanza, Ray Sinatra | E Major | 3 | 12B | 180 BPM | ||
| La lontananza | Domenico Modugno | F Major | 8 | 7B | 140 BPM | ||
| Sentimentale | Marie Myriam | A Major | 5 | 11B | 91 BPM | ||
| Piel de Diciembre | Betty Missiego | E♭ Minor | 2 | 2A | 94 BPM | ||
| She - She / English Version 1 - Theme from the TV Series "Seven faces of Woman" | Charles Aznavour | D♭ Major | 5 | 3B | 128 BPM | ||
| Lady Lay | Jean-François Michaël | A Major | 7 | 11B | 124 BPM | ||
| Don't Make Me Over | Neil Diamond | D Major | 6 | 10B | 178 BPM | ||
| Il est parti | Pier Béland | E Major | 5 | 12B | 91 BPM |