- BPM
- 94
- Key
- D Minor
- Camelot
- 7A
Lamentations of Jeremiah I (Arr. A.B. Garza & E.C. Perry for Vocal Ensemble): Pt. 1 by Thomas Tallis, Renaissance Men, Eric Christopher Perry Song Details
"Lamentations of Jeremiah I (Arr. A.B. Garza & E.C. Perry for Vocal Ensemble): Pt. 1" by Thomas Tallis, Renaissance Men, Eric Christopher Perry had its release date on February 8, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Renmen Laments". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Lamentations of Jeremiah I (Arr. A.B. Garza & E.C. Perry for Vocal Ensemble): Pt. 1 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Lamentations of Jeremiah I (Arr. A.B. Garza & E.C. Perry for Vocal Ensemble): Pt. 1 by Thomas Tallis, Renaissance Men, Eric Christopher Perry having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -24.315 dB
- Acousticness
- 96%
- Danceability
- 12%
- Energy
- 10%
- Instrumentalness
- 1%
- Liveness
- 10%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | O mors inevitabili | Jheronimus Vinders, Obsidienne Vocal Ensemble, Emmanuel Bonnardot | G Major | 2 | 9B | 91 BPM | |
 | Messa di Requiem: Requiem | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 81 BPM | |
 | Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | |
 | Requiem: I. Requiem aeternam I | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Esmé Ellis | D Major | 0 | 10B | 83 BPM | |
 | Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | |
 | Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | |
 | Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | |
 | Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | |
 | Missa pro Defunctis (1544): Kyrie | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 91 BPM | |
 | Otcenáš (Our Father), JW IV/29: Bud vule tvá (Thy will be done) (Revised 1906) | Leoš Janáček, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton, Johannes Wik, Karstein Askeland, Gábor Bretz, Thomas Trotter, Bergen Philharmonic Choir | F Major | 1 | 7B | 80 BPM | |
 | Magi videntes stellam à 5 | Blasius Amon, Huelgas Ensemble, Paul Van Nevel | B♭ Major | 2 | 6B | 91 BPM | |
 | Mass for Double Choir: Gloria | Frank Martin, Mikaeli Chamber Choir, Anders Eby | B♭ Major | 0 | 6B | 83 BPM | |
| Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | |
 | Motet: Parce, Domine | Heinrich Isaac, Jordi Savall | A Minor | 1 | 8A | 100 BPM | |
 | Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | |
 | Liturgical Chants: Ave Maria | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | B Minor | 0 | 10A | 127 BPM | |
 | Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | |
 | Nunc dimittis, from Short Evening Service | Orlando Gibbons | A Major | 1 | 11B | 133 BPM | |
 | Antiphon: In mandatis eius | Sixt Dietrich, Amarcord | B Minor | 1 | 10A | 75 BPM | |
 | Tomkins: When David heard | Thomas Tomkins, The Sixteen, Harry Christophers | G Major | 1 | 9B | 137 BPM | |
 | Missa quinis vocibus | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | E♭ Minor | 1 | 2A | 135 BPM | |
 | Allegri (Roberts): Miserere (Omitting Verses 7-18) | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Minor | 1 | 6A | 67 BPM | |
 | Kronstorfer Messe in D Minor, WAB 146: IV. Agnus Dei | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | |
 | Requiem Mass, 1605: Kyrie | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Major | 1 | 9B | 76 BPM | |
| Missa pro Defunctis (1544): Introitus: "Requiem aeternam" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 77 BPM |
- ISRC
- USPMZ1911004
- Label
- L-M Records/RCA Records