Antoine Forqueray, Jerome Hantai/Kaori Uemura/Alix Verzier/Pierre Hantaï's 'Forqueray: Pieces for 3 Viols in D Major: II. Courante' had a release date set for 2000. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marin Marais, Jerome Hantai's "Marais: Pièces à deux et à trois violes" album is number 12 out of 19. On top of that, United Kingdom appears to be the country where this track was created. Forqueray: Pieces for 3 Viols in D Major: II. Courante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Forqueray: Pieces for 3 Viols in D Major: II. Courante by Antoine Forqueray, Jerome Hantai/Kaori Uemura/Alix Verzier/Pierre Hantaï to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | ||
| Lachrimæ antiquæ Novæ (Improvisation After the Lachrimæ or Seaven Teares by John Dowland) | Sokratis Sinopoulos, L'Achéron, François Joubert-Caillet, John Dowland | D♭ Minor | 1 | 12A | 101 BPM | ||
| La Dubreuil | Antoine Forqueray, André Lislevand, Jadran Duncumb | D♭ Major | 2 | 3B | 81 BPM | ||
| Violin Sonata in E Minor, Op. 6 No. 9: I. Preludio. Largo | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | F♯ Major | 1 | 2B | 105 BPM | ||
| Ouverture in E Minor: II. Air (1) | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 0 | 7A | 96 BPM | ||
| Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
| Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | F♯ Major | 1 | 2B | 105 BPM | ||
| Pieces de viole, Suite No. 1 in D Minor: VI. La Couperin: Noblement et marque | Antoine Forqueray, Lorenz Duftschmid, Christoph Urbanetz, Thomas Boysen, Johannes Hämmerle | B♭ Minor | 1 | 3A | 68 BPM | ||
| Violin Sonata in C Major, Op. 5 No. 3: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Sonata Da Chiesa No. 2 in B Flat Major, Op. 5: IV. Adagio | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | F♯ Minor | 2 | 11A | 83 BPM | ||
| Couperin, F: L'apothéose de Lully: XII. Sonade en trio | François Couperin, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 171 BPM | ||
| Ancor che col partire | Antonio de Cabezón, Yoann Moulin | A Minor | 1 | 8A | 135 BPM | ||
| Ode for St Cecilia's Day, Z. 339: "Here the Deities Approve" | Henry Purcell, Tim Mead, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Minor | 2 | 3A | 119 BPM | ||
| Suite No. 1 in D Minor: No. 3, La Cottin. Galamment et avec lenteur | Antoine Forqueray, Jean-Baptiste Forqueray, Myriam Rignol, Pau Marcos Vicens, Julien Wolfs | F♯ Major | 0 | 2B | 102 BPM | ||
| Fantasia in C Minor, TWV 40:26: I. Adagio - Allegro - Adagio - Allegro | Georg Philipp Telemann, Paolo Pandolfo | F♯ Minor | 1 | 11A | 103 BPM | ||
| Violin Sonata No. 2 in D Minor, C. 139: III. Variatio | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | A♭ Major | 1 | 4B | 78 BPM | ||
| VI. Presto | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM | ||
| Ground in A Minor | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| La Vanlo | Antoine Forqueray, Scott Ross | D♭ Major | 5 | 3B | 114 BPM | ||
| Allegro | Nicola Matteis, Gli Incogniti, Amandine Beyer | E♭ Minor | 3 | 2A | 131 BPM | ||
| Cantate, ariette, e duetti, Op. 2: No. 16, L’amante segreto | Barbara Strozzi, Laura Catrani, Accademia dell'Annunciata, Riccardo Doni | B Minor | 0 | 10A | 70 BPM | ||
| Welcome Every Guest: I. Symphony | John Blow, Vincent Dumestre, Le Poème Harmonique | D♭ Major | 2 | 3B | 85 BPM | ||
| Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 105 BPM | ||
| Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Remerciment De Corelli... - Le Parnasse Ou L'Apotheose De Corelli | Jordi Savall, François Couperin | B♭ Minor | 3 | 3A | 101 BPM |